ArtAsiaPacific — May-June 2017

Features artasiapacific.com^119 INSIDE BURGER COLLECTION 1 9 By Nicolas de Oliveira and Nicola Oxley THE VOICE OF THINGS 1 GESTU ...

120 | MAY/JUN 2017 | ISSUE 103 (This page) THE COLLECTOR’S HOUSE, 2016, mixed- media sculptural installation, 20 x 12.5 x 4 m. ( ...

Features artasiapacific.com^121 not that the objects themselves, which refer to ideas of mortality and decay, are in poor taste; ...

122 | MAY/JUN 2017 | ISSUE 103 (This page) SEA OF TRANQUILLITY, 2010, still from HD video with color and sound: 29 min 50 sec. C ...

Features artasiapacific.com^123 hallucination of seeing oneself, becomes a reality here, as the figure in the painting is none o ...

124 | MAY/JUN 2017 | ISSUE 103 complete with silver-service staff who never move, and a lengthy party on a rooftop. Despite the ...

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artasiapacific.com^127 Reviews HONOLULU BIENNIAL Various locations SONG DONG Rockbund Art Museum SHIFTING OBJECTS: DESIGN FROM T ...

128 | MAY/JUN 2017 | ISSUE 103 HONOLULU Various locations a life-sized diptych of his own tattooed body, placed in the center of ...

Reviews artasiapacific.com^129 China and Taiwan, in descending order of the number of nuclear power plants operating in each. Th ...

130 | MAY/JUN 2017 | ISSUE 103 It was, ironically, raining heavily when I arrived at the 4A Centre for Contemporary Asian Art fo ...

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Reviews artasiapacific.com^131 Opposite page Installation view of real and reproduced protest posters from The Umbrella Movement ...

132 | MAY/JUN 2017 | ISSUE 103 SHANGHAI Rockbund Art Museum For nearly three decades, Song Dong’s practice has explored the rela ...

Reviews artasiapacific.com^133 Opposite page SONG DONG Mirror Hall 2016–17 Mirrors, old wooden window frames and mirror boards, ...

134 | MAY/JUN 2017 | ISSUE 103 Hong Kong’s M+, shorthand for “Museum Plus,” will officially inaugurate its permanent building in ...

Reviews artasiapacific.com^135 Opposite page Installation view of “Enchantment as Function: Revisiting Postmodernism” section, “ ...

136 | MAY/JUN 2017 | ISSUE 103 NEW DELHI National Gallery of Modern Art “Here After Here” brought the most comprehensive display ...

Reviews artasiapacific.com^137 Opposite page JITISH KALLAT Epilogue 2011 Pigment print on archival paper, 753 prints: 31.7 x 39. ...