ArtAsiaPacific — May-June 2017

(National Geographic (Little) Kids) #1
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Contributors


JAMES T. HONG
James T. Hong is a filmmaker
and artist based in Taiwan. His
latest documentary, about
disputed territory in East Asia,
screened at the 2016 Berlin
International Film Festival and
the Guggenheim Museum in
New York. He recently presented
a new experimental work about
Nietzsche and metempsychosis,
Nietzsche Reincarnated as a
Chinese Woman, at the 2016
Taipei Biennial.
(See ONE ON ONE)

HENRY WEI LEUNG
Henry Wei Leung was born in the
Pearl River Delta and raised in
Honolulu and the San Francisco
Bay Area. He earned degrees
from Stanford and the University
of Michigan, and has been the
recipient of Kundiman and Soros
fellowships and a Fulbright
scholarship. His first book of
poems, Goddess of Democracy,
won the Omnidawn prize and is
forthcoming in fall 2017. He is
currently the managing editor of
the Hawai’i Review.
(See REVIEWS)

EVA MCGOVERN-BASA
Eva McGovern-Basa is an
independent curator and writer
based in Manila, Philippines. For
the past 15 years, she has worked
across museums and galleries on
exhibitions, public programs and
publications. She has written
extensively on contemporary
Southeast Asian art and recently
edited and co-produced, with
Valeria Cavestany, No Chaos
No Party: 28 Artists in Metro
Manila (2016), an interview-
driven publication on art and
life in the city.
(See FEATURES)

YUJIN MIN
Yujin Min is an independent
curator and writer on modern
and contemporary art, and
has previously worked for the
Seoul Museum of Art. She has
given talks and lectures at the
Tate Modern in London and at
the Korean National University
of Arts, and has written for
Contemporary Art Magazine
and LEAP.
(See FEATURES)

THOMAS MOUNA
Thomas Mouna is currently an
assistant curator and assistant
researcher at the Red Brick Art
Museum in Beijing. He is also
a freelance writer, focusing on
contemporary art and music.
He is currently curating an
exhibition about London-centric
music phenomena for a space in
Beijing, the first on this subject to
take place in China. Mouna holds
a BA and an MA in the History of
Art from the Courtauld Institute
of Art in London.
(See ESSAYS)

MANU PARK
Manu Park is a curator and art
critic currently based in Seoul. He
is founding director of Platform-L
Contemporary Art Center, an
incubator for emerging artists,
and has held curatorial positions
at the Busan Biennale and the
Gwangju Biennale. From 2011
to 2015, Park was director of the
Nam June Paik Art Center. In
2003, he was awarded the Jade
Crown for Order of Culture Merit
by the President of the Korean
Republic for his contributions to
contemporary art and culture.
(See THE POINT)

ALA YOUNIS
Ala Younis is an artist involved
in curatorial, film and publishing
projects. Her artworks include
Plan for Greater Baghdad (2015),
which premiered at the 56th
Venice Biennale; and Tin Soldiers
(2010–12), which was presented
at the 12th Istanbul Biennial and
the 9th Gwangju Biennial. She
curated Kuwait’s first national
pavilion at the 55th Venice
Biennale, is on the advisory
board of Berlinale’s Forum
Expanded and is a contributing
editor for Ibraaz.
(See DISPATCH)

DOMINIC ZINAMPAN
Dominic Zinampan is one of
the recipients of the 2016 Purita
Kalaw-Ledesma Prize for Art
Criticism, part of the annual
Ateneo Art Awards in the
Philippines. He is currently in
his senior year as an art studies
major at the University of the
Philippines Diliman.
(See FEATURES)

Contemporary Visual Culture SAMSON YOUNG, MANUEL OCAMPO, TINTIN WULIA, LEE WAN, SAHAND HESAMIYAN, VENICE BIENNALEISSUE 103 MAY/JUN 2017

Cover: SAMSON YOUNG, Landschaft (St.
Paul + Peter’s Cathedral (side courtyard) Sept
2, 2015, 10:50am), 2015, ink, pencil, watercolor
on paper, 27.5 x 18.6 cm. Courtesy the artist.

CORRECTION:
In the feature “Tranquility Amid Turmoil” by Jyoti Dhar
in issue 102, Lala Rukh was incorrectly referenced to
as Rukh. Her surname is Khan, though she goes by
the name Lala Rukh in professional contexts. It was
incorrectly stated that she trained in calligraphy; rather,
she was taught calligraphy. In the passage about her
teaching at the National College of Arts, it was the
principal who summoned her to his office, not the dean.
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