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(Jacob Rumans) #1

tv films^ 12-18 Aug 2017^ guide^46


of old Hollywood style.
Katharine Hepburn is
idle-rich Tracy Lord who
sees sense on the eve
of her second wedding.
After getting drunk with
James Stewart’s red
top-style hack she goes
back to fi rst husband,
wry Dexter (Cary Grant).
Eff ortless wit.

Buried
(Rodrigo Cortés, 2010)
12midnight, BBC1
Set inside a coffi n, this
unusual and ingenious
thriller pretty much
corners the market
in claustrophobia.
Ryan Reynolds is an
American contractor in
Iraq who awakes buried
alive with only a mobile,
a lighter and a light-stick
for company. Inevitably,
time hangs heavy

Hitchcock/Truff aut
(Kent Jones, 2015)
1.55am, Film4
Take a fascinating look
back at the 1962 audio
interviews (later a book)
given by the great British
director to the great
French director. These
cemented Hitchcock’s
auteur status, but
also provided a nuts-
and-bolts insight into
his working methods
across a wide body
of work. Notable
talking heads such as
fi lm-makers Martin
Scorsese, David Fincher
and Wes Anderson put
the encounter in its
infl uential context.

Monday 14 August


All Is Lost
(JC Chandor, 2013)
9pm, Film4
Or what could be the
Old Man and the Sea:
Chandor’s relentlessly
taut and gripping drama
stars Robert Redford
as a veteran, unnamed
sailor, alone on a sinking
boat on the ocean. It’s
as minimalist as can
be – we don’t know why
he’s there – and Redford
is superb, though near-
silent, as the embattled
wanderer who struggles
to overcome storm and
setbacks, one damn thing
after another, that bring
him ever closer to the
end. Utterly riveting.

Thelma & Louise
(Ridley Scott, 1991)
9pm, Sony Movie Channel
The road movie that
found a new gear,
putting two devil-may-
care women in the
driving seat. Waitress

Saturday 12 August


Little Women
(Mervyn LeRoy, 1949)
8am, BBC2
The middle of three
big-screen versions
of Louisa May Alcott’s
classic novel. The MGM
production values are
impeccable, it’s shot in
handsome Technicolor
and the cast includes June
Allyson, Margaret O’Brien,
Elizabeth Taylor and Janet
Leigh – but still it seems
lacklustre compared to
George Cukor’s 1933
scintillating original
and Gillian Armstrong’s
spirited 1994 account.

The Philadelphia Story
(George Cukor, 1940)
2.20pm, BBC2
This coruscating romantic
comedy is the epitome

here and there, but
Rodrigo Cortés is highly
inventive in teasing out
the sweaty terror.

Sunday 13 August


Harry Potter and the
Deathly Hallows: Part 1
(David Yates, 2010)
7.30pm, ITV
So, the beginning
of the end. There’s
a sense of hiatus as
we await the fi nal
confl ict but it exerts a
despondent grip. Cast
out of Hogwarts, Harry,
Hermione and Ron are
surviving in dark woods
and rocky landscapes, on
a mission to destroy the
horcruxes that embody
Voldemort’s power,
but are beset by his
vile creatures.

(Alfred Hitchcock, 1958) Sunday, 11.20pm, Film4
Endlessly discussed and utterly gripping, this classic Hitchcock thriller
has James Stewart’s acrophobic ex-cop racked by guilt over the death
of an old friend’s wife (Kim Novak) he’s been shadowing. Later, he
remodels his new love (Novak again) in her image, which leads to
further sweaty-palmed suspense high up in a church tower. In its
depiction of a man recreating the glacial blonde of his fantasies, it’s
seen as the voyeuristic Hitchcock’s most intensely personal fi lm.

tv films


Pick of the week Vertigo


ALLSTAR/CINETEXT/PARAMOUNT

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