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weirdo teenager to pixie waif
to them not knowing what the
hell to do with me,” she told
the New York Times last year.
Part of it was her advancing
age – Hollywood had locked her
in as an ingenue, but she was
no longer young enough to play
one – though it was also the
public’s perception of her that
had changed.
In 2001, the year she turned
30, Ryder had her infamous
shoplifting arrest and, in one
move – caught on CCTV – she
lost her innocence. After that
she had small roles here and
there, mainly playing the love
interest or the older oddball. Her
starlet alter ego was officially
extinguished before she turned
40, when she played “The
Dying Swan”, the corpse-like
leading dancer opposite Natalie
Portman’s flushing prima
ballerina in Black Swan. “I felt
like for the first time in a long
time people
really responded
to me,” Ryder
said. “That was
a very liberating
thing, because I
was playing my
age. In my mind,
and I think in a
lot of people’s
minds, that really
helped. I sort of
graduated.”
But graduating
implies some

inona Ryder first
became a mother on
film when she was 36.
In 2007, she was hired by Star
Trek reboot director JJ Abrams
to play Spock’s mum. It was a
cameo and only a handful of
lines – basically amounting to her
being a proud mother – before
she fell off a cliff. Abrams had
chosen Ryder as an homage to
Richard Donner’s Superman, in
which the supporting roles were
also filled with known faces. “I
thought it would be great to have
an actress who people would
recogni se,” Abrams said at the
time. And they did, only this was
an actress they recognised for her
adolescence, not her adulthood.
Now aged 45, icon of youth
or not, Ryder is an undeniable
adult and adulthood for women
means motherhood. She has
played a mother three more
times on screen and each time
it has been a variation on an
age-old Hollywood theme. “If
a woman doesn’t have kids,
she’s a monster,” says Kathleen
Karlyn, author of Unruly
Girls, Unrepentant Mothers:
Redefining Feminism on Screen.
“If she does have kids and she
doesn’t make her life revolve
around her kids and her husband
she’s a bad mother.”
Before this era of her working
life the last major starring role
of Ryder’s film career was Girl,
Interrupted in 1999, when she
JON FARMER/NEW LINE; ALLSTAR/COLUMBIA; UNITED ARTISTSwas 28 playing 18. “I went from


After a career spent playing a misfi t and
ingenue, depicting the mother in Stranger

Things has given Winona Ryder’s career
a new lease of life, says Soraya Roberts

Winona:


Resurrection


ence. After that
roles here and
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played “The
the corpse-like
r opposite Natalie
hing prima
ack Swan. “I felt
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