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(Jeff_L) #1

radio 14-20 Oct 2017 guide 76


Radio 1
97.6-99.8 MHz
6.0 Dev 10.0 Matt
Edmondson 1.0 Alice Levine
4.0 Dance Anthems with
Danny Howard 7.0 MistaJam
10.0 The Rap Show with
Charlie Sloth 1.0 DJ Target
4.0 Diplo and Friends

Radio 2
88-91 MHz
6.0 Sounds of the 60s 8.0
Saturday Breakfast with
Dermot 10.0 Graham
Norton 1.0 Pick of the
Pops 3.0 Zoe Ball 6.0 Liza
Tarbuck 8.0 Trevor Nelson’s
Rhythm Nation 10.0 The
Craig Charles House Party
12.0 Ana Matronic’s Disco
Devotion 2.0 Showtunes
Playlist 3.0 Playlist: Love
Songs 4.0 Playlist: Easy
5.0 Huey on Sunday

Radio 3
90.2-92.4 MHz
7.0 Breakfast. Live from
London’s Wellcome
Collection. 9.0 News 9.03
Record Review: Why Music?
The Key to Memory. 11.0
Memory Varied. Pianist Igor
Levit performs Beethoven’s
Diabelli Variations. 12.15
Music Matters: The Key to
Memory. From London’s
Wellcome Collection.
1.0 News 1.02 Saturday
Classics. Lesley Garrett on
music and memory. 3.0
Sound of Cinema. Memory
in film music. 4.0 Jazz
Record Requests. Memory-
themed requests. 5.0 Jazz
Line-Up. Music of memory.
6.30 Beyond Memory:
Music in the Moment.
Music and dementia. 8.0 In
Search of Proust’s Music. A
concert from the Wellcome
Collection. 10.0 Hear and
Now. Experimental music
on memory. 12.0 Geoffrey
Smith’s Jazz 1.0 Slow Radio:
Music, Life and Dementia

Radio 4
92.4-94.6 MHz; 198kHz
6.0 News and Papers 6.07
Ramblings: Listeners’ Walks.

Saturday 14


Late Junction:
Robert Wyatt
Tuesday,
11pm, Radio 3

actor David Threlfall, writer
Rachel Cooke and poet and critic
Garth Greenwell. In Late Junction
(Tuesday, 11pm, Radio 3) Verity
Sharp travels to Lincolnshire
to talk to Robert Wyatt about
his musical preferences, which
include early jazz, Ivor Cutler
and Peter Pears but do not
stretch to what he calls the
“wobbly singers” of opera.
Why Music? The Key to
Memory (Sunday, 10pm, Radio 3
and 6 Music) is a live show,
simulcast across two networks.
It’s presented by Tom Service
and Cerys Matthews and comes
from the Wellcome Collection
as part of a weekend of events
exploring the implications of
music’s unique capacity to be
remembered. A live audience
and the listeners at home are
invited to see if they can pass the
“plink” test, where recognising
a song from its first half-second
can apparently show your age.
If, like me, you’ve never
watched Game of Thrones, the
podcast Binge Mode: Game of
Thrones ought to be unlistenable.
It isn’t, thanks to the energy of
the two expert presenters Mallory
Rubin and Jason Concepcion,
who have the wit to laugh at their
own deep-dive devotion and are
helped out by some smart editing.
Now that she’s being seriously
talked up as a presidential
candidate, Making Oprah is an
important listen, even though
the show stopped broadcasting
in 2011. The producers modestly
bill this as “the inside story of a
TV revolution”. Unsurprisingly,
there are episodes devoted to
Oprah’s interest in politics and
spirituality. Because this is about
TV the episode devoted to her
hair is every bit as instructive 

y the time we got to
the pudding the losses
amounted to £900,000.”
That’s art critic Martin Gayford
laconically recollecting a lunch
with the painter Lucian Freud,
who was having a bet at the
same time. Freud liked a wager.
He reckoned he could carry
£16,000 cash about his person
without it becoming obvious.
The first of three programmes
called The Gamble (Wednesday,
9am, Radio 4) investigates the
connection between risk and the
creative arts. In Freud’s case, his
assistant remembers: “He would
gamble until he had nothing left
and that somehow freed him up
to then start painting again.”
Radio 3’s Opera Season
continues with an Afternoon
Concert devoted to Nabucco
(Thursday, 2pm, Radio 3)
recorded at Covent Garden in



  1. Plácido Domingo plays
    the King of the Babylonians,
    Liudmyla Monastyrska is
    Abigaille. Because this was taped
    during a performance you can
    hear the sandals of each and
    every Hebrew slave as they seem
    to shuffle through the room.
    Meanwhile in The Essay:
    Stories That Sing (Weekdays,
    10.45pm, Radio 3) five prominent
    creatives talk about how they
    came to grips with the one
    musical genre that many people
    consider a step too far. Julian
    Barnes goes first on Monday
    night. He’s followed by academic
    and novelist Patricia Duncker,


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Radio gaga


David Hepworth on


creative gambling and


memory in music


radio

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