acts to be announced after the NBA
schedule is released for the building. Lee
Zeidman, president of STAPLES Center,
Microsoft Theater and L.A. LIVE, led the
installation of BluEco’s climate system,
which has greatly reduced the amount
of energy used to make ice, and also
expanded the venue’s food menu to
include vegan/vegetarian options — such
as Wahoo’s tacos and Impossible Meat
dumplings and meatballs — as well as
a new concept, Salt & Char, to replace
McDonald’s, which had been a target of
complaints by some artists. “Morrissey
will be happy if he decides to come back
and play,” he says.
8
WELLS FARGO CENTER
PHILADELPHIA
CONCERT CAPACITY 21,000
12-MONTH GROSS $57 MILLION
In January, Wells Fargo Center welcomed
Valerie Camillo, president of business
operations, to run the 21,000-capacity
arena during a $250 million renova-
tion. The aim, she says, is to make the
building “one of the most technologically
advanced arenas in the world.” Dubbed
“Transformation 2020,” the overhaul has
harnessed parent company Comcast’s
tech insights and includes a commitment
that 100% of its energy use will be ac-
counted for by “retiring an equal amount
of wind-generated renewable energy
credits” in partnership with Constellation
Energy. The improvements have occurred
during its peak concert seasons for more
than two years, but didn’t stop the venue
from bringing in more than $57 million
from 46 shows this year, according to
Billboard Boxscore.
9
T-MOBILE ARENA
LAS VEGAS
CONCERT CAPACITY 20,000
12-MONTH GROSS $56 MILLION
Just 3 years old, Las Vegas’ newest venue
hosted 32 concerts over the past year,
including runs with Florence + The Ma-
chine, Ariana Grande and Paul McCartney.
“Obviously, any time you get a Beatle in
the building, it’s a pretty special and cool
night,” says vp/gm Dan Quinn. In the ven-
ue’s fold is the neighboring Park Theater,
which will host Aerosmith’s raucous Deuc-
es Are Wild residency through June 2020.
“On the first night of Paul McCartney,
Steven Tyler came over and performed
‘Helter Skelter’ with Paul.” Quinn is still
holding out for Adele. “Vegas didn’t get
lucky on her last tour, and there are always
questions about what her touring future
is,” he says. “Those are the ones you start
to salivate over.”
10
MANCHESTER ARENA
MANCHESTER, ENGLAND
CONCERT CAPACITY 21,000
12-MONTH GROSS $55.3 MILLION
Manchester Arena, which opened in 1995,
welcomed its 30 millionth customer in
2018 and is now looking ahead to next
year’s 25th anniversary and beyond. “We’re
looking at what we can do to future-proof
the venue for the next 25 years,” says GM
James Allen. Homegrown pop act Take
That scored the biggest gross of the mea-
surement period ($7.5 million for five shows
in April) with the 21,000-capacity venue
temporarily renamed the Take That Arena
in its honor. Other highlights included a
globally streamed amateur boxing match
between YouTube stars KSI and Logan
Paul, and a rescheduled June performance
from Mumford & Sons entirely in the round,
which moved 18,000 tickets.
TOP 10 ARENAS
CAPACITY: 10,001 - 15,000
11
THE SSE HYDRO
GLASGOW
CONCERT CAPACITY 14,300
12-MONTH GROSS $64.5 MILLION
Director of live entertainment Debbie
McWilliams oversaw a year of growth for
Glasgow’s SSE Hydro, including the com-
pletion of a new stage grid that boosted
overall capacity to 14,300. “Securing tenan-
cy to meet the needs of touring production
schedules can be an ongoing challenge,
albeit a good challenge to have,” she says,
noting a recent highlight in the launch of
Hugh Jackman’s global trek The Man. The
Music. The Show, which sold out three
nights. She also brokered a new partner-
ship with Circular Glasgow, a joint initiative
between Glasgow Chamber of Commerce
and Zero Waste Scotland, which aims to
“improve the economic, environmental and
social legacy of major city events.”
12
BRISBANE
ENTERTAINMENT CENTRE
BRISBANE, AUSTRALIA
CONCERT CAPACITY 13,500
12-MONTH GROSS $40.5 MILLION
The Brisbane Entertainment Centre has
such a strong connection with P!nk, a la-
dies bathroom is named in her honor. The
veteran pop star, who has performed 32
shows at the Centre since 2004, returned
with seven sold-out shows on her Beauti-
ful Trauma World Tour this past year. Other
international acts who have performed
multiple shows over the past year include
Céline Dion, Red Hot Chili Peppers, Katy
Perry, Post Malone and Shania Twain (for
the first time in 19 years). “We are seeing a
two-speed market,” says BEC GM Patricia
McNamara. “Hot acts are selling out
easily, and at times in spite of very high
prices, while the acts who aren’t so hot
have struggled.”
13
MOHEGAN SUN ARENA
UNCASVILLE, CONN.
CONCERT CAPACITY 10,000
12-MONTH GROSS $39.6 MILLION
At a capacity of 10,000, the Mohegan
Sun Arena hosts A-list underplays,
including recent stops from Justin Tim-
berlake, who threw a Man of the Woods
afterparty at the on-site casino, as well as
the tour close for U2’s Songs of Experi-
ence + Innocence trek. “We’re probably
one of the most intimate venues they’ve
ever played,” says Tom Cantone, senior
vp sports and entertainment for Mohe-
gan Gaming & Entertainment, who noted
that the band loved the space. “To have
U2 tell us the venue was one of the best
they’ve played — that’s saying some-
thing.” New priorities include a diner-style
catering area, a basketball hoop and a
redecorated stage entrance that displays
accolades — including a 2019 Academy
of Country Music arena of the year prize
— so artists don’t feel it’s a “dungeon.”
M
AR
C
GR
IMWA
D
E
/WIREIMA
G
EP!nk at Australia’s
Brisbane Entertainment
Centre in August 2018.
80 BILLBOARD • SEPTEMBER 28, 2019