Digital Camera World - UK (2019-10)

(Antfer) #1

28 DIGITAL CAMERA^ OCTOBER 2019 http://www.digitalcameraworld.com


A rainy-day


project


Charlie Marshall creates
a fun food still-life set

ood is something we all need and
enjoy. If you also want to create
a feast for your eyes and you’ve
got an hour to spare, why not
try this food photography project?
For this simple setup, I used a watermelon
and turned it into an umbrella, but there are
no rules or limitations: the more creative
you can be the better. Although I wanted
to use the black watermelon pips as the
rain drops, the pips in that particular melon
were pretty small. I ended up sourcing
some pomegranate seeds as the water
drops, which worked just as effectively.
You can be flexible with how you set up
your camera. I handheld mine and shot at
f/7.1, 1/100 sec, ISO 200; but as you are
shooting on a flat plane if you want to
decrease the aperture to a wider setting you
can do so without affecting the end result.
If you want to get serious about food
photography or feel like you need a bit of
inspiration for your own project, check out
the work of photographer Dina Belenko
(featured before in previous issues of Digital
Camera) at http://thingswithstories.tilda.ws.

F


6 | FOOD

Ja

me

s^ A

rta

ius

Capture a fun foodie frame


2


The right light
Find an effective backdrop
for your food to sit against
and place it next to a soft
light source. I used a large
window. Position your food
on the card being careful
not to make marks on it.
(You can clean these up in
Photoshop if necessary.)

1


Cut it up
Start by cutting up your
food. To make the umbrella,
I chopped a circle from the
melon, then sliced it in half.
For the umbrella handle,
I used the end green skin
part and cut a J shape. You
may need to have a few
goes at this to get it right!

3


Shoot and edit
Take the image from a bird’s
eye view. I used Lightroom
for editing; under the Edit
tab, I went to the Curves
Lift Shadows Preset, then
added a heavy vignette to
frame the main focal point.
I also tweaked Contrast,
Shadows and Clarity.

Ch

arl

ie^ M

ars

ha

ll
Free download pdf