xvi list of illustrations
Color plate 14 (Bogel 79). Illustration from the Ryakuōgonen
ninnōkyōbō zakki (1342 Rite
of the Benevolent Kings Sūtra). Daigoji collection.
Momoyama period. ....................................................................... 980
- Sørensen—Pantheon:
Figure 1. Vairocana of the Mahāvairocana sūtra.
Illustration from traditional iconographical manual.
Japanese line-drawing, late Heian period. ................................ 91
Figure 2. Dharmadhātu Mandala central assembly.
Illustration from traditional iconographical manual.
Heian period. ................................................................................. 93
Figure 3. Ekādaśamukha Avalokiteśvara. Line-drawing based
on Japanese Heian image. ............................................................ 96
Figure 4. Cintamaṇicakra-Avalokiteśvara. Line-drawing based
on Japanese Heian image. ............................................................ 97
Figure 5. Cundī. Frontispiece from Ming edition of the
Cundīdevī-dhāraṇī sūtra. ............................................................. 101
Figure 6. Vajrasattva image from Dunhuang, ninth century. ..... 103
Figure 7. Mañjuśrī as he appears in the Dharmadhātu
Mandala. Line-drawing based on Japanese Heian image. ...... 105
Figure 8. Acala. Line-drawing based on Japanese
Heian image. .................................................................................. 107
Figure 9. Trailokyavijaya. Line-drawing based on ninth
century painting from Dunhuang. ............................................. 109
Figure 10. Tracing model for drawing images of Yamāntaka.
Qing. ................................................................................................ 111
Figure 11. Stone sculpture of Vaiśravaṇa. Mt. Bei, Dazu,
Sichuan, Tang, ninth century. ..................................................... 117
Figure 12. Mahākāla. Line-drawing based on Japanese
Heian image. .................................................................................. 118
Figure 13. Stone sculpture of Mārīcī. Mt. Bei, Dazu, Sichuan,
Tang, twelfth century. ................................................................... 120
Figure 14. Shensha. Line-drawing based on Japanese
Heian image. .................................................................................. 122
Figure 15. Vināyaka. Sino-Tibetan print. Qing. .......................... 123
Figure 16. Yama. Line-drawing based on Japanese
Heian image. .................................................................................. 126