Jewish Philosophical Politics in Germany, 1789-1848
amelia
(Amelia)
#1
Patriotic Pantheism { 211
and ingenious ego.” This, however, lasts only as long “as a fish can remain flying
above water: he always quickly plops back down into his natural element, his
authorial egoism [Autoregoismus], his frivolous addiction to wit [Witzsucht] .”^60
“To take up a lasting, honorable place in German literature,” Pfizer contends,
it would not suffice for Heine to break particular bad habits; rather, he “would
have to cease to be who he is.”^61
Pfizer moreover fantasizes that the proponents of Jewish emancipation “se-
cretly” regard Heine as “one of their own.” Even as, with their words, they
deplore Heine’s rashness, they applaud his blasphemy “with gestures”; and
“Christians would have to be quite deaf and dumb not to discern from the hiss-
ing and whispering that those ones [jene] are proud of their ally [Bundesgenos-
sen] Heine.”^62 Pfizer warns darkly that it could only damage the cause were the
advocates of Jewish emancipation to “move in the intimate company of open
enemies of Christianity, and defiantly and arrogantly make a spectacle of their
friendship with them.”^63 He raises the question of whether Heine, “a Jew by de-
scent if not by confession, has inherited in his essence and character individual
traits peculiar to his people [Züge von der Eigenthümlichkeit seines Volkes], e.g.
wit, audacity, etc.”^64 Pfizer further warns Jews that it would only feed the hate-
ful sentiment against them should they follow Heine in behaving tactlessly and
polemically, instead of peacefully cultivating the ground that has been yielded
to them. Jews should “avoid even the appearance of being in cahoots with a
Heine,” and eschew his “modish [eingerissene] literary Judaizing.”^65
Heine’s un-German egoism was not only a target of the Catholic Right and
of liberals like Pfizer. As the radical Left in the 1830 s took up and extended
in its own directions the Catholic Right’s earlier critique of Protestant egoism,
Heine continued to serve as a privileged bête noire, as the Heine criticism by
the Young Hegelian Arnold Ruge attests.^66 In Jüdische Briefe Riesser notes
Ruge’s lengthy 1838 essay on Heine as a rare critique that refrains from asso-
ciating Heine’s flaws with his Jewishness.^67 Although Ruge portrays Heine as
essentially un-German and at times smears him with antisemitic associations,
indeed Ruge does not exploit Jewishness as a central component in his Heine
critique.^68 As Breckman notes, until his engagement with Feurbach’s 1841 Das
Wesen des Christentums, Ruge saw the incursion of Catholic irrationality and
arbitrary authority as the main threat to political progress in Prussia.^69 In the
manifesto he coauthored with Theodor Echtermeyer, for example, “Der Prot-
estantismus und die Romantik” (Protestantism and Romanticism; 1839 ), Ruge
assails Romanticism’s overvaluation of “das geniale Ich,” which he deems of a
piece with the Catholic dualism of God and world and its concomitant arrogant
disregard of humanity.^70 Under Feuerbach’s influence, Ruge changed his views