100 http://www.digitalcameraworld.com
SUPERTEST
Centre Edge Corner
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Sharpness
f/1/8f/2.8 f/4 f/5.6 f/8 f/11 f/16f/22
CANoN EF 16-35mm
f/2.8L USM III £18 49 / $1899
Launched nearly three years ago, this Mk III zoom
received a major overhaul
anon’s most ideal zoom
lens for full-frame
astrophotography, this
one isn’t as wide-angle
as the EF 11-24mm f/4L USM,
but is an all-important f-stop
faster. The maximum viewing
angle is slightly less than the
14mm and 15mm full-frame
lenses on test, equating to 108
degrees compared with 114 or
110 degrees.
This lens gains a large and
complex double-surface GMO
(Glass Moulded) aspherical
element at the front, adding to
two UD (Ultra-low Dispersion)
elements and a ground
aspherical element at the rear.
Upgraded, high-tech coatings
include both SWC
(SubWavelength Coating) and
ASC (Air Sphere Coating) for
greater resistance to ghosting
and flare. Weather-resistant
attributes are extended to
include moisture- and grease-
repellent fluorine coatings on
the front and rear elements.
The lens is quite long at
128mm, considering that it
doesn’t have a built-in fixed
hood. Unlike with most lenses
here, the separate bayonet-fit
hood enables the easy
attachment of filters, via an
82mm thread. Build quality
is up to Canon’s usual robust
L-series standards.
Performance
Sharpness and contrast are
impressive across the zoom.
The Mk III has much improved
corner-sharpness compared
with the previous edition, but
still lags behind the competing
Sigma 14-24mm zoom on test.
There’s very little spherical
aberration at f/2.8, but coma
and astigmatism can be quite
visible near the extreme
corners of the frame.
FeATUres
VerdIc T
01
There’s a filter
attachment thread
and separate hood.
02
Fluorine coatings are
applied to the front
and rear elements.
03
The inner barrel
extends during
zooming but the
overall length
remains fixed.
04
Rotational travel
of the focus ring
is short.
05
Fast autofocus
speeds are enabled
by a new and more
powerful central
processor unit.
FeATUres
BUIld & hAndlIng
PerFormAnce
VAlUe
oVerAll
01
04
02
03
C
n addition to our usual range of real-world and lab-based
testing, we focused on aberrations that affect the
performance of lenses for astrophotography at their
widest apertures. Towards the corners of the image frame, these
include vignetting, ‘coma’ which gives stars and other celestial
bodies the appearance of having a comet-like tail and
‘astigmatism’, which turns dots of light into lines.
Spherical aberration can occur throughout the entire
image frame, giving points of light a soft halo effect. All of these
aberrations tend to be reduced when narrowing the aperture by
an f-stop from its widest setting. For zoom lenses, the results of
lab tests shown on the following pages highlight performance at
their shortest focal length. This is generally their preferred zoom
setting for astrophotography, and the closest equivalent to the
focal lengths of the prime lenses on test.
How wE TEST
We’re paid particular attention to lens
aberrations that are problematic when
shooting the night sky
I
05