16 ARCHAEOLOGY • March/April 2018
FROM THE TRENCHES
HEAD IN THE SAND
A
piece of American cinematic history has been
uncovered in California’s Guadalupe-Nipomo Dunes.
Researchers have removed the head of a 13 -foot-tall
plaster sphinx built for Cecil B. DeMille’s 1923 silent film The
Ten Commandments, one of 21 sphinxes designed by French
artist Paul Iribe for a massive Egyptian Exodus set. Since the
1990 s, efforts have been under way to find remains of the set,
which DeMille deliberately buried to prevent other filmmak-
ers from using it. According to Doug Jenzen, director of the
Guadalupe-Nipomo Dunes Center, rapidly shifting sands will
soon leave the remaining material vulnerable to disintegra-
tion, allowing little time to save evidence of a pivotal moment
in U.S. popular culture. “These silent films were successful
enough that the production companies were willing to experi-
ment at great expense,” he says. “If they had tanked, perhaps
we wouldn’t have Gone with the Wind and The Wizard of Oz. If
these movies had flopped, we wouldn’t have the blockbuster
films we have today.”
—MarLey brown
Plaster sphinx, California
Sphinx head, after removal for transport