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32 VIDEOMAKER >>> NOVEMBER 2019


What happens if you win the grant?
If you’re lucky enough to win a grant from the
Gucci Tribeca program, what happens next? “If
it’s a $10k grant, it’s given to the filmmaker or the
LLC,” says Rodriguez. “We just cut them a check.
It’s dispersed as soon as the agreement is signed
and can take up to a few weeks. If it’s $15k or
higher, it’s split up. The first $10k is released
upon signing and the remaining is released when
delivery of a rough cut assembly is completed.”
There are no rights restrictions for the grants
winners; filmmakers just need to include the
Tribeca logo on the film and an acknowledg-
ment in the credits. TFI can provide feedback or
notes to the filmmakers after reviewing a new
or final cut of the film. However, the filmmaker
is under no obligation to make changes based
on the feedback from TFI.
“If a filmmaker goes down the wrong path,
we have a conversation, but we are mainly here
to help and assist.” Rodriguez continues, “If the
filmmaker is submitting to a festival, we talk
with our colleagues to see if we can help. If the
filmmaker wants us to help with the rollout,
we can assist in that regard. We brainstorm a
strategy with them. It’s only as hands-on as the
filmmaker wants us to be.”

What about distribution?
The ultimate goal of any film is to find its audi-
ence. Rodriguez said they do provide some

support in connecting filmmakers to distributors
where it seems applicable:
“It depends. We do catch up calls with film-
makers. If they tell us they are speaking to a few
(potential distributors), if we know them, we
might be a cheerleader. We also run a film mar-
ket during the Tribeca Film Festival, called TFI
network. It’s a filmmaker and industry market, a
way for filmmakers to take meetings with indus-
try people including distributors or sales agents.”

Final advice for filmmakers
“We like filmmakers to be really confident and
trust their samples and materials,” Rodriguez
says. “We have a general inbox (documentary@
tfiny.org) where my team answers questions
according to how they arrive in the queue. But we
can’t delve into feedback once we close for sub-
missions. If they have updates, we can see if we
can incorporate them... When we are not open
for submissions is a good time to reach out and
pick our brains.” Rodriguez says.
Rodriguez concludes “All our children, we love.
We are proud to have supported these films.”

How to win a grant: An inside look at the Gucci Tribeca Documentary Film Fund


Landon Dyksterhouse is an award winning doc
filmmaker and founder of the independent film
company D-House Entertainment.

“Women in Blue” addresses a precarious moment for the Minneapolis Police Department after a high-profile shooting
causes the department’s first female chief to resign. The film follows three women officers as they seek to restore com-
munity trust and reform the department.

You can comment on this article by going online:
http://www.videomaker.com/?p=72016868

Women in Blue directed by Deirdre Fishel photo by Eric Phillips-Horst courtesy of TFI

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