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2 VIDEOMAKER >>> NOVEMBER 2019


Buying new gear vs. used


We tend to have something of a love/
hate relationship with advances in vid-
eo production technology. We eagerly
await news releases announcing higher-
than-ever-before-possible resolutions
and the subsequent release of better-
than-ever-before-available cameras.
The most thrilling and simultaneously
discouraging thing about it is that there
will always be a next new thing to want
and, ultimately, to buy.
But all of this new gear comes with
a hefty price tag. Those who want the
latest and greatest must be willing
to pay a pretty penny to acquire the
newest whatever-it-is as soon as it
is released. However, there is another
cohort of people who would rather save
money and buy used gear from the
early adopters. With every new release,
a new generation of second-hand
equipment goes up for sale.
So which is best, buying new equip-
ment or buying used gear? I believe the
answer is — it depends.
New equipment typically comes
with a warranty, so the purchaser is
protected if something were to go
wrong. Since the equipment comes
new in the box, you will know the en-
tire history of the item’s usage. Every
scuff and scratch will be your own.
New gear also brings some down-
sides. New equipment always costs
more than used, but there can be
some not-so-easily-seen additional
costs as well. New equipment will
include only items that you purchase
intentionally. If you want additional
storage media, or an extra lens or any
other upgrade to the basic package,
you will pay for it. New gear also
brings with it the reality of deprecia-
tion. As soon as you open the box
on your new piece of equipment, its
resale value plummets.
But for many people, owning the
newest and most cutting edge technol-
ogy is not a necessity. For them, it’s
not having new gear but newer gear

that matters. And the money saved
can then buy more ancillary gear.
Buying used gear also has pros and
cons. While there is no warranty, most
of the depreciation will have already
been absorbed by the original owner,
so used equipment tends to hold its
value longer. With that comes the
reality that you will never know the
full history of the item. Every scratch
and scuff was put there by someone
else. On the upside, used equipment
often includes bonus “upgrade” items
in the mix that add a lot of extra value
without additional expense.
Ultimately, there is no right or wrong
approach to buying production equip-
ment. Whether you choose to buy
new or used equipment, you need to
do market research to know the going
rate for the items you are interested in
buying. Then, ask good questions to
clarify the condition of the items and
what is included in the package you
are purchasing. An informed buyer is
a wise one, regardless of whether the
product is new or pre-owned.

VIEWFINDER


by Matthew York


PRINTED IN USA

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subscription information
Videomaker Subscription Fulfillment
645 Mangrove Avenue, Chico, CA 95926
telephone: (800) 284-
e-mail: [email protected]
address
645 Mangrove Avenue, Chico, CA 95926
telephone: (530) 891-8410 fax: (530) 891-

Videomaker empowers people to make
video in a way that inspires, encourages and
equips for success. We do this by building a
community of readers, web visitors, viewers,
attendees and marketers.

publisher/editor
associate publisher

director of content
web developer
managing editor
multimedia editor
art director/photographer

contributing editors

director of sales
director of
business development
telephone (530) 809-

audience development
coordinator

director of finance
accountant
fulfillment assistant

Matthew York
Patrice York

Mike Wilhelm
Katherine Gabales
Nicole LaJeunesse
Chris Monlux
Susan Schmierer

Sean Berry
Peter Biesterfeld
Kyle Cassidy
Chris “Ace” Gates
Blag Ivanov
Mark Levy

Terra York

Lindsay Cox

Jessica Rowe

Stephen Awe
Ryan Awe
Natasha Garcia

Matthew York is Videomaker's Publisher/Editor.

You can comment on this article by going online:
http://www.videomaker.com/?p= 72024549

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