Poetry and Animals

INTRODUCTION

1. Elizabeth Atkins, “Man and Animals in Recent Poetry,” PMLA 51, no. 1 (1936):
   263–67.


2. Susan McHugh, “Literary Animal Agents,” PMLA 124, no. 2 (2009): 488.


3. E.  O. Wilson, The Creation: An Appeal to Save Life on Earth (New York: Norton,
   2005), 5.


4. Jonathan Safran Foer, Eating Animals (New York: Little, Brown, 2009), 34–35.


5. John Berger, About Looking (New York: Pantheon, 1980), 13.


6. Marc Bekoff and Jessica Pierce, Wild Justice: The Moral Lives of Animals (Chicago:
   University of Chicago Press, 2010), x.


7. Teresa Mangum, “Narrative Dominion or the Animals Write Back? Animal Genres
   in Literature and the Arts,” in The Cultural History of Animals in the Age of Empire,
   ed. Kathleen Kete (New York: Berg, 2007), 156.


8. Anat Pick, Creaturely Poetics: Animality and Vulnerability in Literature and Film
   (New York: Columbia University Press, 2011).


9. Colleen Glenney Boggs, “Emily Dickinson’s Animal Pedagogies,” PMLA 124, no. 2
   (2009): 533–41.


10. Marjorie Garber, “Reflections,” in The Lives of Animals, by J. M. Coetzee, ed. Amy
    Gutmann (Princeton: Princeton University Press, 1999), 79.


11. David Perkins, Romanticism and Animal Rights (New York: Cambridge University
    Press, 2003), ix–x v.


12. Cary Wolfe, Animal Rites: American Culture, the Discourse of Species, and Posthu-
    manist Theory (Chicago: University of Chicago Press, 2003), 6–8. See also Carrie
    Rohman, Stalking the Subject: Modernism and the Animal (New York: Columbia Uni-
    versity Press, 2009).

NOTES