Poetry and Animals

(Barry) #1
CODA215


  1. See, for instance, “Fear Is What Quickens Me,” “In Ohio,” “Two Hangovers,” “Two
    Horses Playing in the Orchard,” “From a Bus Window,” and “Arriving in the Coun-
    try Again.”

  2. Cary Wolfe, “In the Shadow of Wittgenstein’s Lion: Language, Ethics, and the Ques-
    tion of the Animal,” in Zoontologies: The Question of the Animal, ed. Cary Wolfe
    (Minneapolis: University of Minnesota Press, 2003), 42.

  3. Charles Bernstein, Content’s Dream: Essays, 1975–1984 (Evanston, IL: Northwestern
    University, 2001), 246.

  4. Robert Creeley, Collected Poems: 1945–1975 (Berkeley: University of California Press,
    1982), 94.

  5. Jorie Graham, The Dream of the Unified Field: Selected Poems, 1974–1994 (Hopewell,
    NJ: Ecco, 1995), 144–47.

  6. Susan Stewart, Red Rover (Chicago: University of Chicago Press, 2008), 3–5.

  7. Charles Simic, Selected Poems, 1963–83 (New York: George Braziller, 1985), 100.

  8. Frans De Waal, The Ape and the Sushi Master (New York: Basic Books, 2001), 3.

  9. Simic, Selected Poems, 27, 168.

  10. Ibid., 169.

  11. Quoted in Lee Upton, “Structural Politics: The Prose Poetry of Russell Edson,” South
    Atlantic Review 58, no. 4 (1993): 101–15.

  12. Russell Edson, The Tunnel: Selected Poems (Oberlin: Oberlin College Press, 1994), 76.

  13. Ibid., 118.

  14. Russell Edson, The Reason Why the Closet-Man Is Never Sad (Middletown, CT: Wes-
    leyan University Press, 1977), 11.

  15. Russell Edson, The Tormented Mirror (Pittsburgh: University of Pittsburgh Press,
    2001), 21–22.


CODA


  1. Thomas Nagel, “What Is It Like to Be a Bat?,” Philosophical Review 83, no. 4 (1974):
    442.

  2. John Kinsella, “Goat,” in The Best Australian Poems, 2010, ed. Robert Adamson
    (Collingwood: Black, 2010), 148.

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