The Sunday Times - UK (2022-05-29)

(Antfer) #1

THE


CRITICS


JAMES COWEN

TELEVISION


Chastising


kids? Not


good on TV


Britain’s Strictest


Headmistress ITV, Sun


Prehistoric Planet Apple TV+


State of the Union


BBC2, Tue


The Flight Attendant


Sky Max, Thu


Of all the inspiring, heart-


bursting things television can


do with children, filming the


strictest school in Britain


probably isn’t one of them.


You can show them


crumpling before being


glowingly built back up, or


special, tender teachers


working tirelessly and quietly


to coax them into better habits.


But filming a teacher giving a


vulnerable 12-year-old a total


hairdryering is hardly going to


feel like a sprinkle of the cosy


ol’ telly fairy dust.


The most uncomfortable


five minutes of Britain’s


Strictest Headmistress,


about the Michaela


Community School in


Wembley, northwest London,


was probably when Corliss,


a new pupil, was given an


intense dressing-down by his


head of year. If he didn’t want


to participate in the school’s


ashram methods, they would


be psychologically beaten into


him. Or as they might put it:


he’d have to “decide himself ”.


I probably should have


been thrilled that by the end


of the programme Corliss had


“decided” to fall in line with


the school’s ethos. But there is


a deep human reaction against


watching children being


treated harshly. Michaela, in


one of the poorest parts of
London, is like a school “in
Africa” where firm discipline
is “natural”, said one of the
mothers. I don’t care if it is
the right thing to do; it doesn’t
look good on TV.
The school’s headmistress,
Katharine Birbalsingh, by
contrast, looks wonderful.
Time and again this willowy,
immaculate woman told
viewers that they wouldn’t
understand the school’s
theory that boundaries,
rituals, routines and heavy
punishments worked. I still
find it strange accepting that
a “special” way of teaching
should be developed for poor
black people, but then if this
school were in the home
counties the narrative would
probably be “Look how well
they’re running this perfect
private school — it’s just like
Harry Potter” rather than one
of oppression.
Birbalsingh, of course, is a
dream subject. If there is one
thing that works on the box it
is jeopardy and I cannot work
out whether this immaculate
demon headmistress is good
news or bad. On one hand she
is right that there should be
no talking in corridors, no
looking away from teachers,
no lateness, no lack of
participation, no lolling, no
backchat, no phones — we
learnt that the source of
almost all bullying is social
media. But how far should
you go? In her school if you so
much as forget your “second
pencil”, as one child dolefully
put it, you could
get a detention. We
watched as the pupils
arrived at the school
gates on the stroke
of 7.55am, where
everyone lined
up and raised
their hands. “Oh
my God,” I said to my

there were questions. The
children who were carefully
piped on to tell us how much
they loved the school might as
well not have been there — they
were never going to criticise
the frightening Birbalsingh.
She, too, was something
of an enigma — never shown
disciplining any child, only
telling Corliss, in a surely
confected scene, that he had to
“fix” his attitude. The camera
flicked to her giving interviews
in her perfect home or in
many perfect outfits while
various teachers, no doubt
fugitives from a frustrating,
crumbling, sloppy system, told
us how brilliant it all was.
The school teaches
“personal responsibility”, one
clean-looking evangelist said.
But I’m not sure you help
people to make decisions by
simply giving out loads of
rules. The only dissenting
voice came from a visitor,
Jeremy Paxman, who said it
was good that the pupils were
never “restless or bored”, but
that they were always

“running around and not
having time to think”. But
even then you think: maybe
he has come from a place of
intellectual privilege where
it’s easy to do that. So what
right does he have to say how
poor kids should be taught?
On Apple TV+ there was
another programme to be
suspicious of: Prehistoric
Planet. I must say it boggles
my mind that its presenter,
David Attenborough, is still
giving sprightly, energised
pieces to camera. How does
he do it at 96? Is there a
picture in an attic somewhere
that shows him older than a
desiccated ornithomimus? It
is amazing when you consider
that the Queen, who is also
96, is golf-carted everywhere.
In the first episode we were
spirited to the Tethys Sea,
an ancient ocean where the
tumbling, gambolling wildlife
behaved eerily like creatures
in a Disney film. A gigantic
mosasaur — a kind of
weaponised dolphin — was
having an “all-over body

boyfriend, “are they doing a
Nazi salute?”
A lot of effort had gone into
presenting the most balanced
picture — mostly on the part,
I’m imagining, of Birbalsingh
— resulting in a rather timid,
insipid, controlled and
plastic infomercial that
told us little about
the school. We were
taken through
Birbalsingh’s rules
for better learning:
“Routines and rituals
work marvels.” Yet still

She looks great and is surely correct, but


the demon headmistress made me wince


Everyone


raised their


hands. ‘Oh my


God, is that a


Nazi salute?’


Please miss The fearsome
teacher Katharine Birbalsingh

CAMILLA


LONG


16 29 May 2022

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