The Sunday Times - UK (2022-05-29)

(Antfer) #1

HISTORY


Sebastian Faulks


The Facemaker


One Surgeon’s Battle to


Mend the Disfigured


Soldiers of World War I


by Lindsey Fitzharris


Allen Lane £20 pp315


Harold Gillies was a surgeon


from New Zealand, of Scottish


heritage, who became famous


in the First World War for his


treatment of men whose faces


had been mutilated by bullets


and shrapnel or by fire on


board warships. Plastic


surgery was a new skill and


had nothing to do with


cosmetics. It was about giving


a man back a jaw, a nose,


cheeks, eye sockets and


enough self-confidence to


carry on living. Many of


Gillies’s patients were so badly
wounded and the operations
they underwent so painful,
numerous and invasive that
they died.
Machinegun bullets
spinning on the bone could
rip away most of the face and
soft tissues, including eyes
and nose, before they exited,
tearing a second hole on the
other side of the head.
Photographs of men wounded
in this way were used by
advocates of chemical warfare
to show that the sufferings of
gas casualties were actually
preferable. I have seen several
images in the Imperial War
Museum that I can never
unsee; and some of the
photographs in this book,
while justified in context, are
difficult to look at.
The attitude of the patients
to their misfortunes will be
familiar to anyone who has

studied that generation:
stoical, unselfish, “merry and
bright” and “trusting to the
best of luck”. Here is the
mutilated man who writes
home to warn his mother that
she must expect a “rather
uglier duckling” than the one
she said goodbye to; but not
to worry, he’ll soon put
them all to shame when he
comes swanking home with
his new jaw and nose. And
here is the man who writes
to his fiancée with the tale of
his invented infidelity on
leave in Paris, which must
bring their engagement to an
end. He couldn’t bear to let
her see him and have to break
it off herself.
There were no mirrors in
the wards at hospitals in
Aldershot and Sidcup, where
Gillies did his pioneering
work. He is sympathetically
presented by Lindsey
Fitzharris as a combination of
new world optimism, Scottish
ingenuity and the surgeon’s
self-regard. Yet he had
modesty as well, when it
suited him: he learnt a good
deal from French dental
surgeons on the Western
Front and the way they
could rebuild jaws; he
subsequently liked to
have dentists on hand
in his clinics. He had
compassion for the
poor men, some of
whose faces he
could barely
look on
when

they came to him. He had a
good understanding of
physiology from his time at
Cambridge (at Caius, although
Fitzharris doesn’t say so). He

He gave


them back


their lives


This pioneering plastic surgeon brought


hope to the First World War’s wounded


was demanding but jocular;
happy to use established
techniques of grafts and flaps,
yet almost recklessly
experimental in his own
methods. He was a man to
whom everything seemed to
come easily, yet he was also
a ferociously hard worker.
Gillies was joined in his
work by Henry Tonks, later
a professor of fine art at the
Slade, who did pastels of the
men’s faces so that future
plastic surgeons could learn
from them. Many of these
pictures were lost when the
Luftwaffe bombed the Royal
College of Surgeons during
the Blitz. Neither Gillies nor
Tonks is in fact as little known
as Fitzharris believes. She
seems, for instance, unaware
of Pat Barker’s writing, albeit
in fictional form, about both
men. While the notes are full,
the book has no bibliography,

Recipe for


disaster


Lisa Taddeo’s fiction


is all spice and no


flavour, says Johanna


Thomas-Corr


34


‘An absolute


treat’


India Knight is


bewitched by a


Cazalet-style novel


for the 21st century


35


Ingenuity Harold Gillies,
below, treated soldiers
injured like this man in 1918

One patient


invented an


infidelity


to save his


fiancée’s


pain


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28 29 May 2022

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