SUNDAY, MAY 29 , 2022. THE WASHINGTON POST EZ EE E13
Summer Books 2022BY KATHERINE A. POWERSDespite the continued
complications of covid,
one pleasure will not be
quashed: summer
reading. This annual ritual —
all but a few killjoys agree —
means taking up a book not to
improve one’s mind or morals,
but rather to have a good time.
Here are seven truly entertain-
ing books, chosen with an eye
to diverse tastes.
We’ll start with the funny
stuff. David Sedaris’s latest
chronicle of his doings, “Happy
Go Lucky” (7^1 / 2 hours), is marked
by his familiar skewering humor,
off-the-wall observations and
moments of pathos. He covers
the death of his father, the pan-
demic, a squirm-inducing medi-
cal procedure, a trip to a firing
range and any number of very
funny interactions with odd-
balls. Though half of the seg-
ments are recordings of live
performances — annoying to this
listener, who doesn’t like crowds
— Sedaris admits that he’s lost
without an audience, “that un-
witting congregation of fail-safe
editors.” And here they are,
stamping his work with the im-
primatur of laughter.
Mick Herron’s “slow horses,” a
British intelligence unit of mis-
fits and screw-ups, have
achieved deserved renown from
their Apple TV series, but if you
want the genuine article en-
riched by a narrator born to the
job, consider the audio version.
No one conveys the spirit of the
novels better than narrator Ge-
rard Doyle, a gentle-voiced mas-
ter of deadpan irony and rueful-
ness. He is superb again in
Herron’s latest, “Bad Actors”
(10^3 / 4 hours), the eighth novel in
the Slough House series. (If you
are new to this intoxicating
series you might want to begin
with an earlier volume; all, barthe second, are narrated by
Doyle.)
If the British ever decide to
abolish the monarchy, we Ameri-
cans will lose a source of harm-
less, gossipy entertainment. Tina
Brown serves up the famously
dysfunctional family with tart-
ness and dash in “The Palace
Papers: Inside the House of
Windsor — the Truth and the
Turmoil” (18 hours), narrating
the book herself in the authorita-
tive voice of an old Oxonian. Kind
and respectful where due (to the
Queen and William and Kate),
she softens on Charles and Camil-
la, but takes off the gloves with
that “coronated sleaze machine,”
Andrew — and quite a few others.
Set in 1950 in a century-old,
fuddy-duddy London bookstore,
Natalie Jenner’s “Bloomsbury
Girls” (12^1 / 2 hours) is both a
triple romance and a tale of
determination as three women
band together to establish them-
selves as players in the world of
book-selling and literature.
Jenner’s depiction of a strait-
ened postwar London and baf-
fled male hostility to women’s
aspirations is amusing rather
than rancorous. Juliet Steven-
son narrates the novel in her
lovely, versatile voice, nicely
capturing different personal-
ities including those of the big
guns who show up to play key
roles: Daphne du Maurier, Peg-
gy Guggenheim, Sonia Orwell
and Samuel Beckett.
Though written for children
ages 9 to 12, R.J. Palacio’s “Pony”
(7^1 / 4 hours) is an ideal book for a
family car journey as it can be
enjoyed just as well by people far
gone in years. It is 1860 and
12-year-old Silas and his ghostly
familiar, Mittenwool, are left be-
hind when armed horsemen kid-
nap the boy’s father. Silas, Mit-
tenwool and a pony, who mys-
teriously shows up, track down
the villains through hazardousterrain — beyond which my lips
are sealed. The novel is beautiful-
ly served by Ian M. Hawkins who
narrates it in a sober, young-
sounding voice with an austere,
old-fashioned manner.
Ben McGrath spent years in-
termittently following the pere-
grinations and disappearance of
Dick Conant, who had aban-
doned the humdrum existence of
life on land and took to America’s
waterways in a cheap red canoe.
“Riverman: An American Odys-
sey” (8^2 / 3 hours) is the result.
Beginning with the discovery of
that canoe, washed ashore with
no sign of Conant, McGrath
backtracks to investigate the na-
ture of this strange but genial
man, his heroic voyages and the
riparian America he encoun-
tered. Adam Verner narrates the
book in an engaging, relaxed
voice at an easy pace that per-
fectly accords with the book’s
temper.
Nikki May’s debut “Wahala”
(10^1 / 3 hours) has a familiar set-
up: Three friends are thrown
into enmity by the inclusion in
their group of a fourth. The
story, however, is far from rou-
tine. Ronke, Boo and Simi are
Anglo Nigerians, professional
women in their 30s living in
London. Their strained senses
of identity, aspirations and per-
sonal lives are all richly ex-
plored by May — and in time
become targets of the machina-
tions of Isobel, a woman of
ingenious malice. Still, the book
is more comedy of manners
than tragedy. It is greatly en-
hanced by a tremendous per-
formance by Natalie Simpson,
who has an astonishingly wide
palette of voices and an extraor-
dinary ability to convey under-
currents of tension.Katherine A. Powers reviews
audiobooks every month for The
Washington Post.You’ll be hanging on every wordThese entertaining audiobook selections cater to diverse tastesJENTWO (JANEJIRA TAECHAKAMPU)/ILLUSTRATION FOR THE WASHINGTON POSTLITTLE, BROWN AND
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