STORY BEHIND THE SCENE CHRIS FRENCH
90 FLYPAST September 2018
Back in time
The expertise of staff and
volunteers at Stow Maries helped
me a great deal. Their knowledge
of the site’s history was invaluable
when it came to portraying the
airfield as accurately as possible.
I was given plenty of access to
the site, and I also used old maps,
photographs and other historic
documents to help piece together
the scene.
Although they’re not there now,
the position of the original wooden
hangars is known, as well as that
of a [portable] Bessonneau hangar
[made of timber and canvas] that
was erected at the northern end.
I produced a few sketches from
different viewpoints and the
charitable trust selected the
one they felt showed the site to
best advantage.
My next step was to generate
a very basic 3D computer model
using map data to position the
buildings accurately, and to gain an
understanding of the relative sizes
of the structures and the aircraft.
As well as the distinctive water
tower and pilots’ ready room, I
included RFC personnel sporting
contemporary uniforms and flying
clothing to accompany the Sopwith
Camel, Royal Aircraft Factory
SE.5a and B.E.2e biplanes. These
all had the white parts of their
roundels and fin flashes darkened
down, and engine cowlings painted
black to make them less visible to
the enemy during night operations.
I even put the squadron’s pet
bulldog in the painting.
The aerodrome hosted its
Centenary Fly-In over the weekend
of September 17 and 18, 2016, and
I was delighted to have delivered
the finished work, titled Ready For
The Off, in time for visitors to see.
I hope it’s a fitting tribute to those
pioneering days of military aviation
and the undoubtedly brave men
who flew from Stow Maries and
other bases in the Great War.
http://www.stowmaries.org.uk
http://www.chrisfrenchart.co.uk
Artist Chris French is the Vice-Chairman of the
Guild of Aviation Artists.
Airmen at Stow Maries.
A Sopwith Camel from ‘B’ Flight.