Enoch and the Mosaic Torah- The Evidence of Jubilees

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The Book of Jubilees and Early Jewish Mysticism

The first stage of merkabah mysticism, the traditions found in the

apocalyptic literature of the second temple period, is the least developed

stage in Scholem's discussion. Scholem touched briefly on apocalyptic litera­

ture in Major Trends and had only a little more to say in his one book on

early Jewish mysticism, Jewish Gnosticism, Merkabah Mysticism, and Tal-

mudic Tradition.^13 The last third of the twentieth century saw dramatic

growth in scholarly interest in apocalyptic literature, and several scholars

took up the challenge posed by Scholem's work, offering more detailed dis­

cussions of the themes and motifs of merkabah mysticism as they appeared

in the apocalypses.^14

The last decades of the twentieth century also saw the ongoing publi­

cation of the Dead Sea Scrolls, a corpus of major significance for our under­

standing of the apocalypses and early Jewish mysticism. Scholem was clearly

aware of the potential significance of the scrolls for early Jewish mysticism,

and in Jewish Gnosticism he noted some parallels between the poetry of the

hekhalot texts and that of the Hodayot and the "Angelic Liturgy," as the early

publication of a portion of the Songs of the Sabbath Sacrifice was called. But

the slow pace of publication meant that he was not in a position to offer an

overall evaluation of their significance for early Jewish mysticism before his

death in 1982. By the end of the twentieth century, however, the relationship

of the scrolls to merkabah mysticism had become a topic of considerable

scholarly interest.^15 Alexander's Mystical Texts is the first book-length study

and Revelation in Early Jewish Mysticism (Princeton: Princeton University Press, 1996),

esp. 209-29.


13. Gershom G. Scholem, Jewish Gnosticism, Merkabah Mysticism, and Talmudic Tra­

dition (New York: Jewish Theological Seminary of America, i960).

14. See, e.g., Ithamar Gruenwald, Apocalyptic and Merkavah Mysticism, AGJU 14

(Leiden: Brill, 1980); Halperin, faces of the Chariot, 63-114; Martha Himmelfarb, "Heavenly

Ascent and the Relationship of the Apocalypses and the Hekhalot Literature," HUCA 59

(1988): 73-100; Himmelfarb, "The Practice of Ascent in the Ancient Mediterranean World,"

in Death, Ecstasy, and Other Worldly Journeys, ed. John J. Collins and Michael Fishbane (Al­

bany: State University of New York Press, 1995), 121-37; James R. Davila, "The Hekhalot Lit­

erature and the Ancient Jewish Apocalypses," in Paradise Now: Essays on Early Jewish and

Christian Mysticism, ed. April DeConick, SBLSymS 11 (Atlanta: Society of Biblical Literature,

2006), 105-25.


15. See the review article of Elisabeth Hamacher, "Die Sabbatopferlieder im Streit um

Ursprung und Anfange der jildischen Mystik," JJS 27 (1996): 119-54. Since 1996, see, e.g.,

James R. Davila, "The Dead Sea Scrolls and Merkavah Mysticism," in The Dead Sea Scrolls in

Their Historical Context, ed. Timothy H. Lim (Edinburgh: T. & T. Clark, 2000), 249-64;

Swartz, "The Dead Sea Scrolls and Later Jewish Magic and Mysticism"; and Ra'anan Abusch,

"Sevenfold Hymns in the Songs of the Sabbath Sacrifice and the Hekhalot Literature: Formal-
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