2018-09-20 Entertainment Weekly

(Amelia) #1

SPIDER-MAN


RANDOM ACTS
OF FLYNESS

Terence Nance’s new late-night
show is, in no minced words,
unlike anything else on TV. The
provocative series—a cycle
of vignettes using wildly difer-
ent storytelling styles to explore
the modern black experience
in America—covers everything
from toxic masculinity to police
brutality, forcing the audience
to confront these issues...from
the discomfort of their own
homes.(HBO)

TheRandom Actscreator broke out
in 2012 when his quasi-animated
rom-com-dram,An Oversimplification
of Her Beauty, won critical hearts at
Sundance. Six years later, that unique
filmmaking style secured his HBO
show a season 2 order just three
weeks into its run. Plus, ball up: The
director is now reportedly in talks to
helm the long-awaited Space Jam 2.

ost anticipated
of the year
inesGrand Theft
Auto-like mechanics
and a cinema-size
Spidey story, injecting
players into the wall-
crawler’s NYC world in
an engrossing experi-
ence that’ll give you
the best kind of vertigo.
(PS4, Sept. 7)

SEPTEMBER 14, 2018 EW.COM 13

1

Lead writer Jon
Paquette’s story mir-
rors the ebbs and
flows of a film script
(e.g., a huge opening
Fisk fight leaves you
breathless by your
first button lesson).


2

The composer
behind Netflix’sDare-
devil, John Paesano,
delivers a game score
that sounds straight
out of the nextAveng-
erssequel.

3

Comics and films
pop up here as Easter
eggs—from MJ’s
famous upside-down
kiss in Sam Raimi’s
Spider-Manto iconic
imagery from prolific
artist Steve Ditko.

4

And like any Marvel
film, spoilers arevery
real. Paquette jokes
about his voice cast,
“There’s an NDA that
says, ‘We will kill you
if you say anything.’ ”

THE EIGHTH SPIDEY MOVIE?


If you think you’re watching a Marvel film while playing the game, you’re not wrong.BY NICK ROMANO


WHO IS
TEREN
NANC

b k

I S
NCE
CE?

MARVEL’S SPIDERAND NANCE: HBO (2)-MAN: SONY (2);RANDOM ACTS OF FLYNESS

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