62 AUSTRALIAN SKY & TELESCOPE July 2018
UNLESS OTHERWISE NOTED, ALL PHOTOS COURTESY OF AUTHOR
A
s a child on car trips with my family, I often heard
my parents ask this question about car colours: Is
that blue or green? While driving my parents to a
restaurant nearly 40 years later, from the back seat came
the same question, “Is that blue or green?” I turned to my
wife and said, “I can’t believe they’re still doing that.” Today
I engage in discussions about colour as it relates to stars,
galaxies and nebulae instead of cars.
Several years ago, I shared an image of the open cluster
M67 on an online imaging forum. A more experienced
astrophotographer commented that the stars in the photo were
too yellow, as open clusters usually have younger bluish stars.
As the discussion continued, another imager, Wolfgang Renz,
noted that M67 is a very old cluster, no longer dominated by
blue stars. Using data from the Naval Observatory Merged
Astrometric Dataset (NOMAD) catalogue, he showed that the
stars are mostly white or yellowish white.
This started my quest for a repeatable process to obtain
consistent and reasonably accurate colour balance in my
The eXcalibrator freeware program helps to
take the guesswork out of colour-balancing
your deep sky images.
STOO BLUE There are many ways to achieve a natural colour balance
in deep sky photography, though most are subjective. This image of
M31 in Andromeda was captured by the author and processed two
different ways. The right side is balanced based on comparison to other
images found online, while the left side uses eXcalibrator to establish
colour balance based on known star colours in the image.
deep sky astrophotos. The journey eventually culminated
in the development of the freeware program eXcalibrator for
Windows (https://is.gd/eXcalibrator).
Colour Is complicated
When imaging the night sky, several factors affect the colour
of your results. First, the spectral sensitivity of different
CCD and CMOS detectors varies greatly. Some are more
sensitive to blue light, while others respond better to red or
green light. This is true with both a monochrome camera
(used with individual colour filters) or a one-shot colour
camera (which incorporates tiny red, green and blue filters
over individual pixels).
blue or
green?
Is that star
IMAGE PROCESSING by Bob Franke