Australian Sky & Telescope - June 2018

(Ron) #1

64 AUSTRALIAN SKY & TELESCOPE July 2018


anyG2V stars in the field.
Usingthissingularcalibration
methodstillhasproblems.First,
asmentionedearlier,thereisno
correction for the altitude of the
target as it is imaged throughout
anightoroverseveralnights.It’s
particularly problematic when the
target falls below about 40° above
thehorizon.Atmosphericdust
scatters green light more than red,
andbluemorethangreen.
Secondly,G2V calibration
doesn’taccountforthesky’s
variabletransparency.Asthenight
progresses,thincloudsmightcome
andgo.Thiscancompromisethe
dataforjustoneofthethreecolour
filters,throwingameticulousG2V
calibrationschemeoutthewindow.
Still, this technique at least heads
youintherightdirection.
Continued research led to the
work of amateur Bernhard Hubl
andMishcaSchirmeroftheMax
Planck Institute for Astronomy.
TheyusestarsfromtheSloan
Digital Sky Survey (SDSS) database
as white-balance reference points.
They identified white (Sun-like)
starsintheirimagestodetermine
colour correction.
This seemed like a reasonable
solution. I liked combining a
G2V-like calibration method with
informationfromtheimageitself
to colour-balance. Additionally,
thistechniqueusescataloguedata
acquiredbyaprofessionalsurvey.
And so, with help from Hubl and
Schirmer,eXcalibratorwas born.
Withthehelpofamateur
Bruce Waddington, the program
incorporates a linear regression (LR) routine to allow the use
of stars of any colour as calibration sources that reference
the SDSS data. By obtaining nearly identical results, the LR
routine reinforces the white-star colour-balancing concept.
The program also incorporates the AAVSO Photometric All-
Sky Survey (APASS) data, fully automating colour calibration
in deep sky images recorded with monochrome cameras and
colour filters.

Putting eXcalibrator to work
Contrary to Superman legend, the Sun is not a yellow star.

When viewed near the zenith or
from space, the Sun looks and
photographs white. Measuring the
colour balance of the Sun with
SDSS’s u- (ultraviolet through
blue), g- and r-filter values yields
(u–g) = 1.43 and (g–r) = 0.44. So
eXcalibrator searches an image for
stars with SDSS (u–g) and (g–r)
values similar to the Sun’s. The
program uses the average values of
the identified stars to determine
the proper red, green and blue
scaling ratios for colour correction.
With the LR routine, eXcalibrator
only incorporates the green and red
values from the SDSS or APASS data
(most filters for amateur cameras
block ultraviolet light). The program
then computes a colour correction
by comparing the stars’ colours in
the image with their known colour
values from these databases.
There are two ways to use
eXcalibrator. The first is to colour-
balance your data. To start, you
first need to plate-solve one
of your calibrated and stacked
monochrome FITS images shot
through a red, green or blue
filter, which can be accomplished
with the Image Link function in
TheSkyX (bisque.com) or online
at nova.astrometry.net. This adds
World Coordinate System (WCS)
information to the FITS header
that the program will then use
to find suitable calibration stars
in the image. The program also
works on one-shot colour images
that have been split into their
respective colour channels and
saved as FITS files.
Once one of the images has been plate-solved, load the
red, green and blue images into their respective boxes and
also select the plate-solved image in the WCS File box. The
program then employs the FITS WCS data to determine the
centre of the field of view, image size, scale and rotation.
Click Calibrate Image, and the program downloads SDSS or
APASS data from the VizieR Catalogue Service. EXcalibrator
then identifies stars that should be white and calculates the
colour adjustment. To obtain a larger sample, the LR routine
also selects stars that are yellow and cyan in hue. When
completed, the program presents you with the average weight GREGG DINDERMAN /

S&T

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S SPECTRAL VARIABLES While many outside factors
can contribute to the colour of your deep sky astrophotos,
none is as inluential as the camera and ilter you use to
shoot through. The spectra above show the red, green and
blue spectral response curve of a KAI 11002 CCD detector
(top) and the passbands of AstroDon Gen2 colour ilters.
The bottom graph displays the spectral response of the
human eye. Each camera and ilter combination will produce
different exposure times to achieve a natural colour balance.

IMAGE PROCESSING
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