The Hollywood Reporter – 28.02.2018

(Tina Meador) #1
When Netflix’s Ted Sarandos
moved to L.A. in 1998, it struck
him that only Universal Studios
and the Chinese Theatre recog-
nized the role movies played in the
life of the city. “It was a big hole,”
he recalls. “I imagined people trav-
eling here would be disappointed
in the presentation of Hollywood’s
heritage.” That’s why, though
he’s been a member of the Motion
Picture Academy for just three
years, he signed on as an enthu-
siastic supporter of the Academy
Museum, rising at Wilshire
Boulevard and Fairfax Avenue.
Designed by architect Renzo
Piano, it promises to add a signa-
ture edifice to L.A.’s Museum
Row, becoming a mecca for tour-
ists. And museum director Kerry
Brougher also envisions it as a
creative gathering spot, “a focal
point for the film community.”
The project, officially launched
in 2011, is finally taking shape. A
sort of concrete bowl that forms
the bottom half of the sphere that
will house a 1,000-seat theater
has been erected. And production

From left: Netflix’s Ted
Sarandos, museum board of
trustees vice chair; Annette
Bening, museum capital
campaign co-chair; producer
Jason Blum, board treasurer;
producer Kimberly Steward,
board secretary; and museum
director Kerry Brougher were
photographed Feb. 14 at
the new Academy Museum.
Says Steward, “It’s going to be
a place where artists can
hang out and still be relatable
to the general public.”
Inset above: Artist’s rendering
of the completed museum.

Ta k e s S h a p e

Seven years after it was first
proposed, the $388 million
Academy Museum is closer
to completion, with an
A-list board of trustees and
a giant sphere rising in the
middle of L.A. The question
now is: When will it open?
By Gregg Kilday

W


Photographed by Adam Amengual

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