The Hollywood Reporter – 28.02.2018

(Tina Meador) #1

Backlot


THE HOLLYWOOD REPORTER 196 FEBRUARY 28, 2018


KROLL: KEVORK DJANSEZIAN/GETTY IMAGES FOR FILM INDEPENDENT.

MUDBOUND

: STEVE DIETL/NETFLIX.

Awards
Watch

A Sprint From the Olympics to the


Spirit Awards Nick Kroll returns for


round two with John Mulaney By Michael O’Connell


O


scars emcee Jimmy
Kimmel isn’t the only
one repeating his
2017 duties; Nick Kroll and John
Mulaney also will reprise their
two-hander hosting gig at the
Spirit Awards on March 3, when
the duo takes the stage for the
second year in a row (the show
airs live on IFC at 2 p.m. PT). Their
material, by the way, is
still TBD: Mulaney’s been
tied up with a seven-night
sold-out stint at Radio
City Music Hall and Kroll,
who spoke with THR
about the repeat gig, was at the
Winter Olympics in Pyeongchang,
filming — well, he’s not exactly
sure yet what he was filming.

What were you doing in
Pyeongchang?
I was filming with Alexi Pappas
and Jeremy Teicher. They got
a grant as artists in residence
from the International Olympic
Committee to make a feature
inside the Olympics.

What kind of feature?
That, at this point, is not
entirely clear. It was funded by
the IOC, so I think that’s still
in process. The idea was, basi-
cally, “Let’s make a fictional
story about what it’s like to be an
athlete at the Olympics
— but actually do it
inside the Olympics.” I
play a volunteer dentist.

So is it a mockumentary?
No, it’s an insight into a world
people don’t really understand
beyond the NBC package stuff.
Normally coverage is about
Olympic gold or some grand dis-
appointment, but 90 to 95 percent
of the athletes leave without a
medal or a tremendous failure.
This tells that story.

Was it your first Olympics?
Yes. I failed to qualify for women’s
figure skating a number of times.

What did you find that didn’t make
it to TV?
That it was a freezing cold unlike
anything I’ve ever experienced.
Even the Olympians, people who
spend their entire lives in the cold,
were like, “This is cold.”

This is your second time teaming
up with John to host the Spirit
Awards. How do you describe your
comedic partnership?
I would say it’s a hate-hate rela-
tionship. No, it’s the best. John
is so deeply funny and smart.
Even though he’s a stand-up, he’s
incredibly collaborative. People
don’t realize how collaborative
the comedy world is. We just hear
the same laughs. We know what
works and what doesn’t. Hosting
these kinds of shows is a weird job,
especially when you do it alone. It’s
just more fun being onstage with
someone. And, for me at least, it’s a
lot less scary.

Does the relatively small TV
audience lower the pressure a bit?
It’s during the day in a tent
in Santa Monica. The pressure is
immediately lower. And it’s all
people in and around independent
film, so you kind of have a better
idea of your audience.

Do you watch all of the nominated
films?
The batch of movies this year is
quite a bit different than in 2017.
Those were all great films,
but they were also real bummers.
There’s more variety this year.
And if you look at most of the
best picture nominees — Get Out,
Lady Bird, Call Me by Your Name
— they’re movies that have reso-
nated on a larger stage and are
well-represented at the Oscars. I
try to watch as many as possible.

Knowing that the fallout from
Harvey Weinstein is still the
dominant subject in Hollywood,
are you excited or intimidated
by having to address the topic?
We’re navigating what is funny
to us. It’s such an important
part of the last year, in filmmak-
ing, the entertainment industry
and the larger culture, I think
we’re just trying to figure it out.
Hopefully we’ll do something
that is funny and acknowledges
everything that’s happening.

MUDBOUND LANDS
TEAM AWARD
The Robert Altman Award will
highlight the ensemble in
Dee Rees’ Mississippi drama

D


ee Rees’ post-WWII Southern
drama Mudbound will be honored
with the Robert Altman Award, which
was created in 2008 and is named after
the iconic director-producer, known
for his memorable ensemble casts.
Rees’ film stars Garrett Hedlund,
Jason Mitchell, Carey Mulligan and
the Oscar-nominated Mary J. Blige
as members of two families living on
a Mississippi farm where racial ten-
sions flare. The honor has previously
recognized Oscar best picture win-
ners Moonlight (2016) and Spotlight
(2015), along with Paul Thomas
Anderson’s Inherent Vice (2014) and
Jeff Nichols’ Mud (2013). In its first
year, it was given to Charlie Kaufman’s
Synecdoche, New York.

Film
Independent
Spirit Awards
March 3
Santa Monica

Mudbound lands the honor, in its 10th year.

↑ Mulaney (left) and Kroll’s 2017 Spirit
Awards monologue racked up nearly 1 million
views on YouTube.
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