02 Thefloorsitsclosetothe
ground, maintaining a
connection with the site
and allowing the children
to easily step out onto
the earth. Artwork (L-R):
Narrabri Nakamarra;
Minnie Pwerle.
astheeyesweepsoverthetreetopsandtheirthick,obscuringfoliage.
Thetemptationtodesignahomethatjutsoutwardandupward
wouldhaveluredsomewantingtograbmaximumviews,butDavid
optedforamorediscreetandrecessiveapproach.“Itwasimportant
to keep the home close to the ground, so that the young children
caneasilystepoutontotheearth,”hesays.Theessentialgrounding
of the house in the landscape is also a paean to the majesty of what
liesbeyond–thebush,theocean,thestarsandsky–andthissimple,
almost monastic box establishes an elemental shrine for observing
these,ratherthananoverpoweringmonument.
From the street entry point, the house is indeed invisible,
tucked in above and behind the curving rampart of the driveway
andcourtyardwalls.Anarrowchasm-likepathandstaircaseslices
through the curves, gradually revealing more of the piece. But it is
notuntilarrivalatthefrontdoorthatthefacadeisfullylegible.
Thelongrectangularpaviliontouchestheearthatitsnorthern
endandhoversametreorsoaboveitatthesouth.Itiswrappedin
a carapace of sliding battened timber screens, rendering degrees of
light, privacy and outlook subject to the whims of the inhabitants.
ComparisonswithaJapaneseteahouseortemplepavilionspring
tomind.Likethesebuildings,thepalettehereisorganicandthe
craftsmanship apparent. The outlook from each room along the
longskinnyspacealsohasitsownpointofdifference,anddirect
connection to the garden. The spotted gum battens are fast silvering
5
4
2 +1 powder room
Site: 8,745 m^2
Floor: 260 m^2
Design: 6mths
Build: 9 mths
(family home)
$3,000 per m^2
1 Entry
2 Garden terrace
3 Pool
4 Kitchen
5 Scullery
Plan 1:400
0
(^43)
2
1
7
9
8
99
910 6
5
5 m
6 Dining
7 Living
8 Laundry
9 Bedroom
(^0210) Robe