Metro Australia — January 2018

114 • Metro Magazine 195 | © ATOM

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(^13) See Janet Maslin, ‘Screen: Thalia Rescues Picture Show Man’, The
New York Times}'HFHPEHU-RKQ3\PoThe Picture Show
Man’, 0RQWKO\)LOP%XOOHWLQYRO}QR}-DQXDU\S}
and Michael Hohensee, ‘Picture Show Man IRU%%&pTV Times,
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(^14) See Peter Wilson, ‘Picture Show Man Heads for the U.S.’, The Sun,
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(^16) ,QWKLVUHJDUGThe Picture Show ManUHPDLQVDVRPHZKDWPDUJLQDO
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7RP2p5HJDQAustralian National Cinema5RXWOHGJH/RQGRQ 1HZ
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(^18) Jonathan Rayner, Contemporary Australian Cinema: An Introduction,
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HG The New Australian Cinema7KRPDV1HOVRQ:HVW0HOERXUQH
SS}t1HLO5DWWLJDQImages of Australia: 100 Films of the
New Australian Cinema, Southern Methodist University Press, Dallas,
DQG%ULDQ0F)DUODQHAustralian Cinema, 1970–1985, Secker
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coffee-table book also includes the scripts of The Pictures That Moved
and The Passionate Industry.
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6XVDQ'HUPRG\ (OL]DEHWK-DFNDAnatomy of a National Cinema, The
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