40 •Metro Magazine 195 | © ATOM
- it’s beautiful, but also quite a harsh environment. Canberra is
one of those places where we’ve got sunshine, a wide variety of
locales and, logistically, it’s easier to get around, so it had all the
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lot bigger than what it was.
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CB: The reality is that the local market is very small, so I think
you either decide to do something unashamedly Australian or
it’s got to appeal to an international market. I think, if you’re
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don’t have big stars in it. It was our best shot at getting a global
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CB: We had them for about a day or two each, and that was
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locations in a day that you had to get around to, and you just
couldn’t have done that anywhere else. We originally planned
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point where we were thinking whether it would be worth seeing
if we could cast up in these roles.
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discussing all our ideal people for each role, and one of
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the script – it was as simple as that. He was a real boost for
the production: people were like, ‘Oh, we’re making a real
movie!’ The same with Bruce: we only had him for a day and
he was just perfect! The gold for us is when you go out with
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Thompson is like a masterclass in directing, too, because you
learn very quickly what to do and what not to do.
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in very dynamic roles and they were bouncing off each other.
I think having some very experienced actors with that sort
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culture on set.
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CB: I wanted the science to be plausible, even if it’s not real.
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on the underlying sides of the genetic mutation, and how the
radiation triggered stuff from bacteria, and all this sort of stuff
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