http://www.metromagazine.com.au | © ATOM | Metro Magazine 195• 87
,Q WKH ODWH V WKH $UUHUQWH IDPLOLHV RI 1WDULD
ODWHU HVWDEOLVKHG DV WKH /XWKHUDQ PLVVLRQ RI
+HUPDQQVEXUJ LQ WKH 1RUWKHUQ 7HUULWRU\ ORVW DQ
HVWLPDWHG SHU FHQW RI WKHLU FKLOGUHQ WR VFXUY\
and malnutrition, brought on by severe drought.^1
6WULFNHQ ZLWK JULHI DIWHU KDYLQJ ORVW D GDXJKWHU^2
\RXQJ IDWKHU $OEHUW 1DPDWMLUD t RQO\ LQ KLV WZHQWLHV
- then resolved to use whatever he had been given
to improve the lot of his community, so long as it
brought in the money.
:KHQ WKH ZKLWH DUWLVW 5H[ %DWWDUEHH DFFRPSD
QLHG E\ FROOHDJXH -RKQ *DUGQHU GURYH D FRQYHUWHG
)RUG0RGHO}7RQXQVHDOHGURDGVIURP}0HOERXUQH
ASTORYOF
MAN AND
COUNTRY
Sera Davies’
Namatjira Project
Hailed as one of Australia’s greatest
painters, Albert Namatjira nevertheless
ENTMC GHLRDKE B@TFGS HM SGD BQNRRjQDR
between art and commerce, individual
achievement and communalist wel-
fare, and the budding Australian nation
and its entrenched ill-treatment of its
Aboriginal population. These and more
are chronicled in-@L@SIHQ@ /QNIDBS,
@ CNBTLDMS@QX SG@S MNS NMKX QDBNTMSR
a troubled history but also seeks to
redress it, writesThomas Redwood.
DOCUMENTARY