92 •Metro Magazine 195 | © ATOM
%HUOLQERUQ 1HZ =HDODQGtUDLVHG ZULWHUGLUHFWRU )ORULDQ +DELFKW
isn’t one for following traditional narratives. An artist by train
LQJ DQG LQVSLUHG E\ WKH 6ZLQJLQJ 6L[WLHV SKRWRJUDSK\ RI KLV
IDPRXV IDWKHU )UDQN KHpV D VHOIWDXJKW ĺOPPDNHU ZKR UHYHOV LQ
experimentation born of a sprightly fascination with getting out
and just doing.
, PHHW +DELFKW LQ WKH EXVWOLQJ IR\HU RI D 6SULQJ 6WUHHW KRWHO
GXULQJ WKH 0HOERXUQH ,QWHUQDWLRQDO )LOP )HVWLYDO KLV JDQJO\ DS
pearance, eccentric fashion and mullet, capped with a feath
ered hat, match his reputation. He chuckles as we look out of a
ĻRRUWRFHLOLQJ ZLQGRZ DW WKH DUFKHG IDFDGH RI WKH 2OG 7UHDVXU\
Building. ‘I always had my own camera,’ he tells me. ‘I loved to
get out and shoot something, and then try and make sense of it
- get some funding to complete it and write it more in the edit.’
It’s unsurprising, then, that his latest documentary,2ONNJDQR
EHDUV OLWWOH UHVHPEODQFHWRWKHĺOPKHRULJLQDOO\SLWFKHG
in funding applications.
,QLWLDOO\ HQYLVLRQHG DV D SURĺOH RI NRRN\ IRUPHU VKHHS IDUP
HUV %HWK DQG $QG\ :DWVRQ DQG WKHLU DEDQGRQHG SODQV WR H[
SDQG WKHLU HSRQ\PRXV $XFNODQG KDXQWHGKRXVH DWWUDFWLRQ
to Melbourne,2ONNJDQRarose following a suggestion from
0DGPDQ (QWHUWDLQPHQWpV 6X]DQQH :DONHU ZKR ZHQW RQ WR
EHFRPH D SURGXFHU RQ WKH ĺOP 6KH KDG KHDUG 1HZ =HDODQG
IULHQGV UDYLQJ DERXW WKH LQFUHGLEOH PDNHXS FRVWXPHV DQG
performances of the 280 employees who conjure up terrifying
GHOSTHOUSE
Rewriting the ‘Haunted’ Narrative
in Florian Habicht’sSpookers
(MSDMCHMF SN OQNjKD @ GNQQNQSGDLDC @LTRDLDMS
park situated on the grounds of a former psy-
chiatric hospital, Florian Habicht instead found
himself documenting a homely refuge for in-
CHUHCT@KR VGN CNMS jS RNBHDSXR L@HMRSQD@L
mould. In conversation with the writer/director,
6WHSKHQ $ 5XVVHOOdelves into this enthral-
KHMF jKL VGHBG HR ITRS @R TMBNMUDMSHNM@K @R
SGD ?E@LHKXHSG@RAQNTFGSSNSGDRBQDDM