Metro Australia — January 2018

(avery) #1

94 •Metro Magazine 195 | © ATOM


FORZQ]RPELHV FKDLQGUDJJLQJ JKRVWV DQG EORRGJXUJOLQJ
vampires to terrorise foolhardy locals and tourists who
YLVLW WKH VSUDZOLQJ PDQVLRQ VLWH WKDW RQFH KRXVHG .LQJVHDW
3V\FKLDWULF +RVSLWDO +DELFKW KDG QHYHU EHHQ 1RW D IDQ
RI WKH KRUURU JHQUH QRU RI EHLQJ WHUULĺHG ZLWOHVV KH ZDV
initially reluctant to pursue Walker’s tip. ‘I don’t need to go
somewhere to get chased by someone with a chainsaw,’
he says. ‘I’d rather jump in the ocean to feel alive and get
pounded by waves.’
6WHHOLQJ KLPVHOI WR LQYHVWLJDWH 6SRRNHUV +DELFKW ZLW
nessed not only the incredible talent of the predominantly
\RXQJ FUHZ EXW DOVR WKH HQYLDEOH FDPDUDGHULH VKDUHG EH
tween them. This ‘haunted’ setting seemingly houses a
family that comprises individuals who have not otherwise
enjoyed much of a support network. Habicht then grasped
the real story:

( VDMS SGDQD DWODBSHMF GNQQNQ ATS VGDM ( @QQHUDC ( R@V SGD
@BSNQR OTSSHMF NM SGDHQ L@JD TO @MC HS V@R LNQD KHJDThe
0XSSHW 6KRZm @MC ( ENTMC RN LTBG INX @MC G@OOHMDRR
3G@S V@R VG@S CQ@FFDC LD SN SGD OK@BD @MC ( HLLDCH@SDKX
V@MSDC SN L@JD SGD ENBTR @ANTS SGD XNTMF ODNOKD SG@S
VNQJDC SGDQD Q@SGDQ SG@M SGD NVMDQRNQSGDINTQMDX:NE
SGD EQ@MBGHRD< SN TRSQ@KH@

Road less well travelled


Habicht relishes the unusual, the experimental and the
LQDGYHUWHQWO\ GLVFRYHUHG 6WXG\LQJ DW WKH (ODP 6FKRRO RI
Fine Arts in Auckland, he intended to follow in his father’s
photography footsteps, but found himself painting or
drawing over his efforts, creating narrative sequences that
almost resembled storyboards – which, ironically, Habicht

QHYHU XVHV IRU KLV FLQHPDWLF ZRUN 6RRQ WKLV PRUSKHG
LQWR GDEEOLQJ LQ VKRUW ĺOPV LQ ZKLFK KH FDVW KLV IULHQGV
One in particular,+HDADRSQĈTLD(1997),^1 VWDUV 7HUHVD 3HWHUV
Habicht acknowledges he had a crush on this woman
ZKR ZRXOG ODWHU ZRUN DV DQ DUW GLUHFWRU SURGXFWLRQ GH
VLJQHU DQG DFWRU LQ KLV SURIHVVLRQDO ĺOPV 7KH XQQHUYLQJ
+HDADRSQĈTLDIHDWXUHV D UDWKHU)UHXGLDQ ORYH VFHQH EH
WZHHQ 3HWHUV DQG +DELFKW 6U DQGUHĻHFWLQJRQKLVZRUN
DW}WKHWLPHWKHGLUHFWRUVD\V

( V@R SGD NMKX NMD VGN CHC M@QQ@SHUD ADB@TRD VGDM ( V@R
@S @QS RBGNNK ?M@QQ@SHUD V@R @ CHQSX VNQC
!TS ADB@TRD
LX kKLR VDQD ETMMX @MC KNUD RSNQHDR SGDX FNS @ QD@KKX FNNC
QDRONMRDEQNLSGD@TCHDMBD
 MCSGDM(FNSGNNJDC


This playfulness and willingness to subvert form –
working from his gut, rather than a cinematic tradition


  • has inspired an intriguing career. The score, sound
    HIIHFWV DQG GLDORJXH IRU KLV EODFNDQGZKLWH GHEXW IHD
    ture,6NNCDMGD@C   ZHUH UHFRUGHGADENQDthe
    DFWLRQ ZDV VKRW $ PHQDFLQJ DGXOW WDNH RQ WKH DOUHDG\
    GDUN %URWKHUV ULPP IDLU\WDOHV6NNCDMGD@Cadopted a
    VLPLODU WHFKQLTXH WR WKH HHULO\ VH[XDOLVHG+HDADRSQĈTLD m
    WKH DFWRUV RQ VFUHHQ EHFRPLQJ SXSSHWV YRLFHG E\ RWKHU
    unseen, performersmand again starredPeters, this
    WLPH DV WKH
    UHWHOOLNH ĺJXUH 3OXP 7KH KDXQWLQJ UHVXOW
    RI WKLV XQLTXH UDGLROLNH DSSURDFK LV DV EHZLWFKLQJ
    as it is bewildering. As2DMRDRNE"HMDL@ critic Philip
    0DWWKHZV GHVFULEHVLW


(S HR @ kKL NE RSQ@MFD RNLDSHLDR I@QQHMF RDMR@SHNMR @ BHQBTR
@MC E@HQXS@KD @LAHDMBD @MC @ '@MRDK @MC &QDSDK KHJD OKNS-
KHMDŭHRRTAUDQSDCAX@RTQQD@KRDMRDNELDM@BD @BGHDUDC

Steeling himself to investigate Spookers, Habicht
witnessed not only the incredible talent of the
predominantly young crew, but also the enviable
camaraderie shared between them.
Free download pdf