Metro Australia — January 2018

(WallPaper) #1
INDUSTRY PERSPECTIVES

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was an exciting time. After years of being denied the
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original programming. For years, the streaming giant has
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‘binge’ model of making every episode of a show avail
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series,'NTRD NE "@QCR LQ  LW KDV EXLOW DQ HPSLUH RI
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original programming as part of its rapid expansion glob
ally, surely – like many other countries – Australia would
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being plenty of offerings from other networks, though,
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plans for Australia a secret, but it would only be a matter
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  • would wake and give subscribers a reason to forgo
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    out to cinemas.
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    gains by commissioning local productions. This signi
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    count.^2 But how much local programming is getting
    commissioned by these new players in town?


Stan


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inal title. The show focuses on two policemen (played by
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received positive reviews –3GD 2XCMDX ,NQMHMF 'DQ@KC
called it ‘the2DHMEDKCof cop shows’– and, in 2016,
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-N BSHUHSX’s second season premiered in 2016, and
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ing year, it launched6NKE "QDDJ D WHOHYLVLRQ VSLQRII RI
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Brumpton will reprise their roles for the series, and Wright
will return to direct two episodes.^6
When it comes to original Australian programming with
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-DSlHW


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a second original Australian title to its slate,/HMD &@O,a
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pop up all over the country. That’s the extremely optimis
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terest beyond its international offerings, it needs to invest
in local productions in the long term as it integrates itself
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local titles, with the aim of adding them to its global
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