Metro Australia — January 2018

(WallPaper) #1
http://www.metromagazine.com.au | © ATOM | Metro Magazine 195• 45

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no classical British acting techniques could have prepared
him for the challenge of building up his character on
his own. In a masterful stroke of directorial intervention,
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the actor, to make the character’s discoveries about his
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is awash with confusion – racked with suspicion, fear and
guilt as a result of the demons that may be hiding within
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suggest the possibility of rebirth. The two leads’ dynamic
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posefully giving Connelly the backstory of the couple’s
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trawl through the details of the murder conspiracy and
their marital history, the seeming impossibility that they’ll
ever rekindle their love imbues#@QJ "HSXwith an emotional
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she knows about her husband, dissecting their marriage to
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scenes, informed by Connelly’s background knowledge,
are compelling – the cut and thrust of the detective’s prob
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the lens of his wife further uncover the pain of what drove
the couple apart.
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er the shards of his broken life – is hindered further by the
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natural grip. With pallid skin and sunken eyes, bald heads,
black trench coats and hats,#@QJ "HSX’s chilling, other
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-NREDQ@ST(1922): creatures of the night, dwelling in a subter
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complexities of humanity though bereft of a human soul. On
the stroke of midnight, they transform the cityscape using
their telekinetic ability to ‘tune’, bending time and struc
tures, and implanting new memories and identities among
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stand our species. Is it our memories, our cars, our houses
and worldly possessions that shape us? What would we


mere mortals be without our perceptions shaping our exist
ences, when all of those are stripped away?
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reading that at the time, and being inspired by this bizarre,
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#@QJ "HSXexcites, tantalises and perplexes in equal
measure. Peel back the surreal imagery and gallery of weird
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tional chord. In continually reshaping the city and interfer
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doomed to never comprehend the soul or learn about our
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through the shadows to uncover who he is. Ultimately,#@QJ
"HSXoperates outside traditional genre conventions – and
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That’s what makes#@QJ "HSXspecial: its path to the big
screen was as twisted and bizarre as the work is itself, the
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what makes us human. To discover more, we dip back into
the darkness, searching for answers to bring to light.

)NGM "@S@MH@ HR @ EQDDK@MBD kKL BQHSHB @MC VQHSDQ VGNRD VNQJ
has appeared inEmpire,Scene,The Sunday Mailand numer-
ous online publications. His previous work forMetroincludes
an examination of the Western appropriation of Asian martial
arts cinema as well as a feature on cultural image and iden-
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Endnotes

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Movie Accident’,Los Angeles Times  $SULO  http://
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