Metro Australia — January 2018

(WallPaper) #1

6•Metro Magazine 195 | © ATOM


EIGHT YEARS SINCE HIS INIMITABLE TALE OF YOUNG LOVE,
SAMSON&DELILAH, TOOK ONE OF THE TOP PRIZES AT CANNES,
WARWICK THORNTON HAS ONCE AGAIN ROUSED AUDIENCES
THE WORLD OVER – THIS TIME, WITH A SPIN ON THE WESTERN
CENTRING ON AN ABORIGINAL FUGITIVE COUPLE ESCAPING
ILL-APPLIED JUSTICE AND THE WHITE COLONISTS HOT
ON THEIR TRAIL.NICHOLAS GODFREYINVESTIGATES THE
INFLUENCES, INTERTEXTUAL REFERENCES AND THEMES THAT
INFUSE THIS FILM REPLETE WITH POLITICAL URGENCY.

COLONISATION AND THE WESTERN IN
WARWICK THORNTON’SSWEET COUNTRY

Bitterness


Bad


Blood


and


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 #DKHK@Gin 2009, and has been the subject of fevered anticipation ever since. In the
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ticularly for3GD 2@OOGHQDR, Wayne Blair, 2012), documentary maker (especiallyWe
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3GD 3TQMHMF). While Thornton’s efforts in these various domains have been warmly
received, the plaudits have not come close to the acclaim that saw the director win
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the rapturous applause that greeted2VDDS "NTMSQXat the 2017 Venice and Toronto
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