Australian Photography — January 2018

(Barry) #1
RESEARCH YOUR SUBJECT
This is an essential yet often overlooked
component of the photographic essay. It’s
important to read and learn about your
subject, and also search for images of that
subject that have come before you.
Often in preparation for my photograph-
ic essays, I draw information from a variety
of sources, including websites, scientific
papers, books, and stock agencies. To mini-
mise the cost of overheads, I will often pur-
chase second-hand books, or loan them from the library.
It’s also important to try and look at photographs
that have already been taken of the subject, which will
help guide your own story as you learn what potentially
works and what has already been done.

PLAN YOUR TIME
Thoughtful research will help you identi-
fy the key elements of the photographic es-
say, which can then be used to help devel-
op a ‘must have’ list of shots. A shot list will
help you plan your shoot and allow you to
make the most of your time in the field.
The shot list can comprise of a list of
subjects, locations even techniques, and
can be complimented by sketches and
drawings. There is no worse feeling than
arriving in a place and knowing that you need some im-
ages in the bag, but not knowing what to do or where
to go. The shot list helps you focus and allows you to
concentrate on the main elements of your photo essay.

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LEFT: Aerial images work well to provide a sense of place and set the
scene. In this image, hundreds of party goers flock to the Haulover
Sandbar on the Intracoastal Waterway north of Miami. Nikon
D800E, 16-35mm f/4 lens. 1/6400s @ f7.1, ISO 100.

ABOVE: Tourists flock to a local aquarium for a close encounter with
a loggerhead. I lay on the ground, experimenting with the angle.
Nikon D800E, 28-300mm f/3.5-5.6 lens. 1/200s @ f14, ISO 400.
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