Vogue Australia — December 2017

(lily) #1

44 DECEMBER 2017


GEORGIA


FOWLER
“My career highlights would be
shooting French Vogue with Inez
and Vinoodh and Italian Vogue
with Vincent Peters, as well as
walking for Victoria’s Secret,
MiuMiu and Balmain,” says New
Zealand model Georgia Fowler,
whose face played canvas for the
bold make-up concepts from page


  1. Now based in New York,
    Fowler has worked with the best
    in the business, including Marc
    Jacob Beauty’s Hung Vanngo,
    who created the vibrant party
    looks she showcases. “Hung is
    incredibly talented; he really
    caters the make-up specifically
    toyou and ensures that even
    thewildest make-up looks
    stillmake you look gorgeous.”


CLARKE SCOTT

VANESSA GRANDA

ERIC BOMAN
Diving into the Cartier archives
is a thrill few people will ever
experience, but photographer
Eric Boman got to do just that,
shooting some of the jewellery
house’s most valuable pieces for
‘Terms of adornment’, from page



  1. “The job was a pleasure from
    beginning to end, because I was
    allowed to pick the pieces,” he
    says. Of his innovative styling,
    headds: “The concepts were
    based on the design of the pieces
    ... I picked the twigs from my
    garden, sourced the postcard,
    ate the lobster minus one claw
    and bought the flowers.”


HUNG VANNGO
We asked Marc Jacobs Beauty
global artistry ambassador Hung
Vanngo, who created the wildly
stunning looks for the beauty
feature ‘Outside the lines’, from
page 138, for his top make-up
tips.“I don’t think there are rules
whenusing bold make-up colours.
Ithink when working with bold
colours, or when doing any kind
of make-up, try not to over-think
it too much. Sometimes the looks
work best when you experiment.”
Working with Vogue, he says, was
fantastic. “Everyone was very
easygoing and collaborative.”

VOGUE


Contributors


BLAIR


BREITENSTEIN
When art director Mandy Alex
came across Blair Breitenstein’s
illustrations she knew
Breitenstein was the perfect
person to depict the couture
report from page 200. “I love the
theatrics in fashion, big shapes,
volume and texture. There are
just certain collections/pieces
that are basically asking to be
drawn, documented and
celebrated,” says Breitenstein on
her love of fashion illustration.
“I have always collected and
cherished print magazines
... so I am extremely excited
to be a part of this issue.”
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