Saveur - April-May 2017

(avery) #1

34 SAVEUR.COM


and final stomach compartment of a cow,
the rennet-secreting maw known as the
abomasum. This forgotten quadrant of
ruminant viscera is rarely used in kitch-
ens elsewhere. But in Florence, eating
abomasum is a daily habit for all seg-
ments of society, as popular among street
workers and leather-goods vendors as it is
with pin-striped businessmen and coiffed
nonnas in pantsuits.
That a cow’s stomach chamber can
be morphed into a triumph of the culi-
nary arts is a quintessentially Florentine
phenomenon. Upon eating my third or
fourth, and discovering that it’s avail-
able at the Michelin-starred restaurant Il
Palagio inside the Four Seasons’ palazzo

hotel, it occurred to me that lampredotto
represents the way Florence has democ-
ratized deliciousness. In the same way
that Dante argued for vernacular Italian
to be accorded equal respect and liter-
ary legitimacy as Latin, Florence seems
to have understood that expensive food
isn’t necessarily better food. To succumb
to lampredotto’s charms is to realize that
beauty and ugliness can live in harmony
with each other—that they can be unified
into a handheld reminder that one cannot
actually exist without the other.

Tr i p e to t r y:
SERGIO POLLINI Via dei Macci, 126
DA NERBONE Mercato Centrale, Via dell’Ariento
TRIPPAIO ALBERGUCCI Piazzale di Porta Romana
TRIPPERIA DELLE CURE Piazza delle Cure

thanks to the city’s proximity to chi-
anti, that ever flowing fount of inexpensive
sangiovese, wine is consumed in Florence
the way water is elsewhere. So ubiquitous
(and priced to move), it is even incorpo-
rated into pasta’s molecular structure at
Osteria de’ Benci near Santa Croce. Their
spaghetti all’ubriaco (drunken spaghetti)
requires boiling the noodles in wine and a
bit of beef stock, a process that stains the
pasta vibrant purple. No matter how much
bad chianti you drank last night, this dish
will set you straight.

2


Drunken


spaghetti is the


Italian hair of the dog


SPAGHETTI


ALL’UBRIACO
(Drunken Spaghetti)
Adapted from Osteria
de’ Benci
Serves 4–6
To t a l : 2 0 m i n.
¼ cup extra-virgin
olive oil
2 large garlic cloves,
smashed
¼ tsp. kosher salt,
plus more as needed
⅛ tsp. red chile flakes
1 bottle (750 ml.)
sangiovese
1 lb. spaghetti
¼ cube beef bouillon
2 tsp. finely chopped
oregano
2 tsp. finely chopped
parsley


  1. Bring a large pot of
    water to a boil.

  2. In a large, high-
    sided skillet, add the
    oil, garlic, salt, and
    chile flakes. Heat
    over medium-high,
    stirring occasion-
    ally, until the garlic
    is softened and just
    beginning to brown,
    about 3 minutes.
    Pour in the red wine
    (stand back as the liq-
    uid may splatter) and
    bring to a rapid boil.

  3. Meanwhile, sea-
    son the boiling water
    generously with
    salt. Add the spa-
    ghetti and cook for
    2 minutes.

  4. Transfer the spa-
    ghetti to the pot
    with the boiling red
    wine, and add the
    bouillon and
    1 teaspoon of the
    oregano; cook, stir-
    ring occasionally
    with tongs, until the
    spaghetti is tender,
    6–8 minutes.

  5. Transfer the pasta
    to a platter and top
    with the remain-
    ing oregano and
    the parsley. Serve
    immediately.


New York City hot dog cart, only with
the everlasting façade of Sant’Ambrogio
church on a prehistoric cobblestone piazza
as a backdrop. I was with friends, classical
painting students, who assured me that as
nasty as lampredotto looks, my taste buds
would grasp the reality immediately.
“I love lampredotto so much that I think
about it as often as other guys think about
sex: every six seconds,” confided one of the
students, Alex. He recommended ordering
it wet, or bagnato, the Florentine term for
au jus, in which the bun is moistened with
a little of the braising liquid. The deeply
f lavorful, perfectly textured salsa verde
and hot chile–spiked result was superla-
tive and, yes, semi-indecent.
Lampredotto is made with the fourth

even in an area as saturated with
tourists as the Piazza della Repubblica,
a genuine joint like Caffè Giubbe Rosse
can still be found. Once a central meeting
place for the Futurist art movement, it’s
been an integral part of the city’s cultural
and literary landscape. Everything here
feels steeped in history. Even the name
refers to the red shirts worn by those who
fought alongside Garibaldi during the
Risorgimento in the 1860s. So, of course,
the coffees are also markedly rooted
in 19th-century style. While there are
certainly excellent options for third-wave
aficionados in Florence (namely Ditta

3


Drink espresso


like a Florentine

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