Australian-Geographic-Magazine-September-Octobe..

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September –October 2014 129

IN MARCH, Australian Geographic art
director, Mike Ellott (right), joined seasoned
photographers Esther Beaton and Nick Rains
to judge the Australian Geographic ANZANG
Nature Photographer of the Year competition
at the South Australian Museum in
Adelaide. For two days they pored over
hundreds of images to select winners and
runners-up across categories, the winner
of the best portfolio prize, and the overall
winner. Mike says that while Esther and
Nick considered things more in terms
of technical achievement, he saw his
role as judging each image purely on
its visual merit and impact. “One of
the most interesting things about the
process,” says Mike, “is that from the
judges’ perspective, all the entrants are
anonymous.” This means that great
images from photographers with little
experience and who have not entered
before have just as much chance at
winning as those from old hands.

Judgement day


BOLD, BR IGHT AND BEAUTIFUL

Croc capers


WILD CROCODILE RIVER

DESPITE WEAR ING a slightly diff erent
hue of khaki, AG’s editor-in-chief Chrissie
Goldrick (above, eighth from left) became a
guest member of the Australia Zoo crocodile
team for a day when she joined the Irwin
family at the Steve Irwin Wildlife Reserve
in Cape York. “From the moment the steel
trap opened, to the point this huge crocodile
slipped back into the water, everything went
like clockwork. I wasn’t allowed to be in the
jump crew but they did let me join them
immediately afterwards,” Chrissie says. “I was
holding the crocodile down and could examine
him at very close quarters. His colours and
markings were beautiful. I wasn’t nervous
because the handlers were so confi dent and
skilled, and you could tell that they had done
this hundreds of times before.” A couple of
days after Chrissie left, the team trapped a new
3.2m croc they christened Aus-Geo. He was
the 105th crocodile captured there since 2007.
He has been fi tted with a tag and we’ll be
RUSSELL SHAKESPEAR E; NATSUMI PENBERTHYfollowing his progress from now on.

FROM THE FIELD


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