Australian_Photography_-_June_2016_

(C. Jardin) #1
34 AUSTRALIANPHOTOGRAPHY.COM AUSTRALIAN PHOTOGRAPHY JUNE 2016

street if you let the camera dictate, you’ll miss the shot.” Time
is the most important thing here and using it quickly becomes
Muñoz’s mantra. As if proving his point, I spot a photo subject
moving past a beautiful pastel wall but by the time I lift my
camera and try to frame her, the old lady has moved on.
Meanwhile, Muñoz is ahead of me and getting set to show me
how he works. “See this girl walking down the street towards us in
a school uniform?” he points. “She’s going to school and I want to
show her with a sense of the environment she’s living in.” Moving
slightly around a corner, Muñoz carefully avoids capturing

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two modern cars in his frame, but ensures he includes the old
buildings and walls behind her that characterise Trinidad. She’s
getting closer. “I want to frame her against these walls here and
wait for her to be in full stride so there’s a sense of movement.” As
she steps out onto the road in front of him, Muñoz lifts the camera
to his right eye, takes a shot and is done. She doesn’t even notice.
He looks at me and grins. “You don’t have to ask for
permission if the subject doesn’t know they’re a subject.”
Muñoz’s style is about capturing candid moments quickly.
“I call it a John Wayne photo style, shooting from the hip, fast
with anticipation,” he explains. To illustrate, we approach two
chatting cowboys on their horses, but they spot our cameras and
self-consciously sit upright, their conversation grinding to a halt.
We wait. They soon relax and continue their conversation. In a
f lash, Muñoz frames his shot and takes a photo.
With Muñoz’s basic camera gear, he’s limited by how much
he can crop so prefers to have his frame ready in his mind
before he shoots. Composition is key and he lives by the rule
of thirds. “A photo is two dimensional, but you can add a third
dimension by suggesting depth – just look at this for example.”

IMAGE: JULIO MUÑOZ

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