Rolling Stone Australia - May 2016

(Axel Boer) #1
76

Macklemore’s


Guilt Trip


To make his


new album,


the Seattle MC


had to i nally


confront his


demons – not


to mention his


place in hip-


hop, and white


America


By Jonah


Wei ner


PHOTOGRAPH BY
MARK SELIGER

M


acklemore sends a text at a
quarter to noon: “Pulling up in 1 min.
I’m in a crimson Hummer.”
The Hummer part’s a joke, it turns
out, but right on time, the Seattle hip-
hop star arrives in something no less
eye-popping: a black 2008 Cadillac DTS Biarritz with tint-
ed windows, a cream-colour vinyl top, whitewall tires and
rows of tiny cactuses painted along its rear fl anks. Mack-
lemore – 32, Seattle-born and the hugest white rapper since
Eminem – became a Cadillac obsessive as a kid, mainlin-
ing California gangsta rap through his Walkman; he bought
the DTS a few years ago “with my fi rst real rap money”, he
says. He’s got an arm draped over the steering wheel and an
18-karat-gold, diamond-faced Rolex President on his wrist.
Puncturing the aura of ostentation is the moulded-
plastic car seat mounted behind him: property of Mack-
lemore’s nine-month-old daughter, Sloane. Also punctur-
ing it is the car’s smashed grille: “I fucked it up yesterday,”
he says. “I was driving, on my phone, looking at World
Star” – a video-sharing site devoted to hip-hop culture


  • “and I was thinking, ‘This is a really stupid thing to be
    doing.’ And right at that moment, I rear-ended a truck.”
    He grimaces, shaking his head, and we pull out. It’s a
    January day in Seattle, and Macklemore, born Ben Hag-
    gerty, has bigger things to worry about. He’s getting ready
    to put out This Unruly Mess I’ve Made, his sixth release
    and second album with creative partner and musical ar-
    chitect Ryan Lewis. Their debut LP was 2012’s smash
    The Heist, which went platinum and controversially beat
    out Kendrick Lamar, Drake, Jay Z and Kanye West for
    the Best Rap Album Grammy. It featured, among other
    hits, the inescapable “Thrift Shop” – an ode to swagger

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