Entertainment Weekly - February 24 - March 3, 2017

(Axel Boer) #1

52 EW.COM FEBRUARY 24/MARCH 3, 2017


ON THE CONDITION OF ANONYMITY, SIX ACADEMY MEMBERS REVEALED TO EW HOW THEY


PLAN TO VOTE. HERE THEY EXPLAIN THEIR REASONING.By Nicole Sperling @nicsperling


Barry JenkinsMoonlight is the
least predictable of the films, and
I think Barry managed to get
extraordinary performances out
of these young people. I think
Damien Chazelle is going to win, but
I loved the direction ofMoonlight.

Barry Jenkins What he did
impressed me in a way I found sur-
prising and really worthy. Denis
Villeneuve did an incredible job, but
he had a lot more [resources] at his
disposal. Barry made a masterpiece
out of a bare-bones cupboard.

Damien Chazel e
the future of cin
He had a $30 m
movie, and it lo
enormous. Imagi
what he’ll do wi h
$100 million.

Viola Davis Viola was the most
vulnerable she’s ever been. She
stepped into an aspect of herself
that we haven’t seen before.
There was a softness to her perfor-
mance that I’ve been waiting for
her to get to on screen.

Viola Davis She demands to not
only be noticed but to be respected
and understood. I think it’s Nicole
Kidman’s best thing in years and
years, but Viola’s performance
is otherworldly. It’s a bar-raising
performance.

Michelle Williams She knocked
me out. She was like a different
human. She just transformed. Her
emotion really allowed Casey to
walk the narrow line of his perfor-
mance. She helps illustrate what’s
going on beneath the surface.

Dev Patel The arc of that role is
huge, and I loved him in it. I’ve
watched him grow as an actor, and
I think with this role he’s stepped
into being a real movie star. He
really carries the story line. I loved
him inLion.

Isabelle Huppert One of the most
audacious performances I’ve seen
in years. She was daring to live every
unexpected emotion throughout
the story.

Emma StoneRuth Negga was a
close second with her beautiful per-
formance inLoving, but the nuance
in Emma’s performance did it for
me. She’s so good at both the subtle
and the big moments. To have that
range, it’s the whole enchilada.

Natalie Portman Ruth Negga was
extraordinary, and I liked Emma
Stone a lot, but I’m going to go with
Natalie. She captured Jackie and
showed me a different side. There is
an availability to her, and that piece
was so poignantly played.

Mahershala Ali In a very confined
period of time, he
conveyed a very
profound cultural
experience. I gath-
ered extraordinary
insight from him
and found it
quite beautiful.

Denzel Washington
It’s a tour de force per-
formance. He’s been a
movie star for such
a long time, but in
Fences he’s back to
just acting. It’s
powerful.

Casey AffleckManchester by the
Seais an incredibly complicated
piece of material, and everything
that is going on in that character is
happening behind the eyes. It was
one of the most restrained perfor-
mances I’ve seen in a long time.
To maintain that and not dive into
melodrama was mind-blowing.

Ryan Gosling Denzel is always
amazing. Casey was lovely and
searing. But Ryan’s performance
is the underappreciated one.
He’s so incredibly good while being
understated. I wish I got a little
more inside Casey’s character. With
Ryan, I knew what made him tick.

Mahershala AliMoonlight was my
second-favorite movie of the year,
and his performance was the rock.
Jeff Bridges is wonderful. Dev Patel
did a nice job, but Mahershala’s
lovely multifaceted portrait provides
the anchor for that film. It’s just
beautiful work.

THE ACTRESS

A 30-year veteran per-
former whose long career
spans television and
film, drama and comedy.

THEDIRECTOR

Popcorn features are
this filmmaker’s bread
and butter.

THE SCREENWRITER

A writer specializing
in compelling historical
dramas.

La La Land For the production value,
the overall performances, the look
of it, it’s my Best Picture. I grew up
on Fred Astaire and Ginger Rogers,
and this made me feel terrifically
nostalgic watching it. I’m a big fan
of movie musicals, and this had
a lovely twist on it.

MoonlightThe nature ofMoonlight’s
storytelling was truly extraordinary.
The subject matter was out of the
box and as daring as any this cycle.
To know that [director] Barry Jenkins
made it on such a small budget is out
of control. It’s something that feels
enduring. It screams achievement.

La La Land It’s just so incredibly
innovative. [Director Damien
Chazelle] used contemporary film-
making to freshen the musical genre.
And its box office success suggests
it’s also speaking to a younger
generation. The music is incredible,
and the direction is fantastic.

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