84 EW.COM FEBRUARY 24/MARCH 3, 2017
TV
EDITED BY CAITLIN BRODY@cbroday
Susan Sarandon as Bette Davis, Jessica Lange as Joan Crawford
OVER THE YEARS, SUPERPRODUCER RYAN MURPHY
has demonstrated huge imagination and heart for femi-
nist concerns, in shows fromPopular toGlee,American
Horror Story toThe People v. O.J. Simpson: American Crime
Story. He’s also entertained us with the dubious spectacle
of broadly drawn ladies being outrageously witchy to each
other—sometimes in the service of making points about
misogyny, sometimes because pitched bitchiness clearly
amuses him.Feud: Bette and Joan, the inaugural season of
his new anthology series devoted to notorious rivalries,
tackles these themes and tendencies head-on, and asks us
to do the same. Chronicling the enmity between movie
legends Joan Crawford and Bette Davis that blew up
during the making of their one film together,
it’s a showcase for two brilliant actresses,
Jessica Lange and Susan Sarandon, and a slick
scolding of Hollywood’s treatment of women.
Fe u d begins in 1960 and finds Sarandon’s
Davis, 54, and Lange’s Crawford, 57, languish-
ing at career ebbs and struggling for quality
parts. Davis, depicted as the purer artist
of the two, has retreated to Broadway.
Crawford, widowed and broke, is a hot mess
of vanity, bitterness, and frequent drunken-
ness. Needing income and hungering for
renewed recognition, Crawford persuades
director Robert Aldrich (Alfred Molina) to
develop a low-budget project with an
inspired, kinda-meta casting hook:What
Ever Happened to Baby Jane?, a neo-gothic
thriller about aged, washed-up showbiz
sisters. Blanche, an invalid, would be played
by Crawford, while Baby Jane, her demented,
DATE
Debuts March 5
TIME
10 p.m.
NETWORK
FX
REVIEW BY
Jeff Jensen@EWDocJensen
Feud: Bette and Joan
CAITLINBRODY@cbroday
KURT ISWARIENKO/FX (2)