GQ USA – May 2017

(Brent) #1
most remarkable thing about Rooster Soup
Co.: the fact that 100 percent of its profits
benefit a local food charity, the Broad Street
Hospitality Collaborative. Here is definitive
proof that a higher mission doesn’t require
diminished deliciousness.
Something of a diner’s spirit lingers at
Detroit’s Flowers of Vietnam, if only in the
short-order station and plastic-letter menu
board of the onetime “coney” it occupies. The
euphonious name evolved, through a series
of misreadings, from “Flavors of Vietnam.”
The entirety of what the charismatic, media-
ready chef George Azar has created here feels
just as much like a happy blend of improvi-
sation and accident: the son of Palestinian
immigrants cooking Vietnamese food in a
Greek diner in Mexicantown. One hopes
Azar’s gig cooking with the Noma team
during its residency in Tulum this spring—
while Flowers undergoes a renovation—
doesn’t polish too many edges o≠ the charm
of his operation, not to mention the honeyed
funk of his glistening caramel chicken wings,
the puckering fresh bite of his papaya salad,
or the richness of the Vietnamese egg-cream
co≠ee he o≠ers for dessert.
Surely, if ever there was a year when
sheer fun was a good reason to recommend
a restaurant, this is it. The giddy, riotous
Kemuri Tatsu-ya, from a team that owns
Austin’s popular Ramen Tatsu-ya,is pure
escape. A so-called “Austin izakaya,” its
walls are covered with a surreal pastiche
of Japanese-Texan kitsch, a saloon out of
a Quentin Tarantino fever dream. That
immaculate zaniness is reflected equally in
wild shochu-based tiki drinks and in dishes
like a tamale packed with sticky rice, beef
tongue, and shiitakes and a ri≠ on Frito pie

made with creamy octopus takoyaki topped
with chili, cheese, and smoked jalapeño—a
patently stupid dish that my table ordered
a second portion of the moment it was gone.
As one of my companions said, “If you’re not
having at least a little fun in here, you’re on
the wrong Tinder date.”
Every year there’s a restaurant on my
list that beguiles and calls to me on name
alone: This year it was Young Joni, evoc-
ative of fresh faces, spring meadows, and
endless possibility. That it turned out to be
a combination of owners Ann Kim’s and
Conrad Leifur’s mothers’ names somehow
didn’t diminish its power. Twin Citians
have already long enjoyed Kim’s extraor-
dinary pizzas at Pizzeria Lola and Hello
Pizza. Young Joni, in a large industrial
space crisscrossed by communal tables
and highlighted by a huge copper-skinned
wood-burning oven, expands the o≠erings to
small plates: grilled

say, ramen, it’s a dish that leaves its cook
nowhere to hide. The result is nakedly,
unabashedly chicken-y—the beige of a mop
with bits of yellow globular fat. It is also, in
Lee’s version, utterly transporting, meaty,
moist, and beguilingly fragrant with ginger.
A mandatory side order is a soy-marinated
egg: Its yolk is a golden shooter marble the
texture of a Godiva tru±e.
Taking a step up the formality ladder, we
find ourselves at that great American inven-
tion called the diner. Everybody nostalgizes
diners; with their beautiful utility and rough,
democratic hospitality, they are the perfect
antidote to the excesses of foodie-ism. But
nobody seems to open diners. This year, the
team behind Philadelphia’s Federal Donuts
empire, which includes Israeli superstar
chef Michael Solomonov, opened some-
thing awfully faithful to the feel and func-
tion of one. Occupying a subterranean space
not far from Rittenhouse Square, Rooster
Soup Co. re-creates a perfect Nighthawks
luncheonette—from its red swivel stools to
the absurdly flu≠y coconut-cream pies sit-
ting in a case behind the Formica counter.
Open from breakfast through early-bird
dinner, it o≠ers loving re-imaginings of
East Coast Jewish-inflected diner favorites:
chicken schnitzel served with beet-and-dill
spread on homemade Martin’s Butter Bread;
a chicken potpie enlivened by hawaij, a
Yemeni spice blend; smoked-matzo-ball
soup. The soup is made with chicken parts
left over from the Korean fried chicken
they serve at Federal Donuts; the smoke
is thanks to borrowed schmaltz from the
smoked short rib down the street at one
of their other restaurants, Abe Fisher. But
creative use of casto≠s can’t account for the


Kato, in a West L.A.
strip mall, serves a wildly
affordable tasting
menu of Japanese,
Taiwanese, and
Southeast Asian dishes.

MEAT TREND



  • BABY STEAK
    Lalito, New York City
    Steak has always been a maximalist ˆ
    game, a pissing contest measured
    in ounces instead of inches.
    But what if what you want is three
    and a half just right ounces
    of dry-aged strip? If this isn’t
    sweeping the nation yet,
    I pray it will soon.


BEST OF
2017

LETTER



  • K
    Kemuri, Kismet, Kali, Kuneho, ˆ
    Kato, Kitsune, King,
    Kyōten Sushiko, and Killen’s STQ.
    This was the year my to-visit
    list had more K’s than a Noah
    Syndergaard scorecard.


BEST OF
2017

(continued on page 133 )
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