Rolling Stone Australia — June 2017

(やまだぃちぅ) #1

R&R


18 | Rolling Stone | RollingStoneAus.com Ju ne, 2017

NEW ALBUM


‘I


t’s hard to compete with songs
that people have been hearing their
whole life, because they’re ingrained in
their DNA,” says Blondie guitarist Chris
Stein. “But we’ll see what happens with this
bunch of stuff .”
This bunch of stuff is Pollinator, Blondie’s
11th studio album, and fi fth
since the new wave legends re-
united in 1997 after a 15-year
hiatus. Featuring contribu-
tions from myriad songwrit-
ers – Dev Hynes, Charli XCX,
Johnny Marr, Sia, the Strokes’
Nick Valensi, Dave Sitek – it
may be tough to compete with
a catalogue that includes hits
such as “Heart of Glass”, “Call
Me” and “Rapture”, but their hopes are high.
“I’m always positive,” shrugs Debbie Harry. “I
thought the last one [2014’s Ghosts of Down-
load] was gonna be huge, but this time we’re
associated with BMG and it’s made quite a dif-
ference.”
Stein and Harry are sitting in a small con-
ference room tucked away in Sydney’s opulent
Langham hotel. In town for their April run of
shows with Cyndi Lauper, even at 10 in the

morning the duo cut an ice-cool figure: Stein
in all-black, sunglasses glued to his face, Harry
instantly recognisable as one of the most iconic
frontwomen in rock history. The band tapped
producer John Congleton (St. Vincent) to
help wrangle the songwriters’ contributions
into one coherent album (“I like his indie-
ness,” says Harry), though as
the singer points out, “Inevi-
tably anything we do is going
to sound like us, because, ya
know, that’s what we do. [But]
I think the relationship with
John and his infl uence and his
ear was of major importance in
putting together a real Blondie
sounding album.”
Marr’s contribution, the
jaunty, new wave “My Monster”, was written
specifi cally for the album, with other contri-
butions coming through their label. For a band
that started in New York in 1974, and has wit-
nessed trends come and go, the idea that Pol-
linator will be released on cassette (as well
as all other formats) amuses the duo. “We’re
playing every trick we’ve got,” smiles Harry.
“It’s so retro it’s also gonna come out in
smoke signals,” chuckles Stein.

Blondie & Friends


Legendary group team up with Sia, Johnny Marr,
Dave Sitek and more on ‘Pollinator’

BY ROD YATES

Boss Hog’s


Triumphant


Return


It’s been 17 years since Boss Hog’s
breakthrough album White Out
established them as a slinkier, sexier
partner to the Jon Spencer Blues
Explosion. Fronted by Spencer’s
wife and Pussy Galore collaborator
Cristina Martinez, the band honed
the pair’s previous ‘pig-fuck’ blues
into something more sleek and
sophisticated. Then, at the peak of
their success, Boss Hog went quiet.
To Martinez, though, the 17-year
break between White Out and new
LP Brood X doesn’t seem that long.
“I guess it’s almost my son’s entire
lifetime, but it doesn’t seem so long
if I think about what we did to get
where we are today. The real big
break happened between the end of
touring White Out, which may have
been 2002 or so, and then picking
up to play some shows in 2008.
But that was when my son was just
starting out in school – so I was busy
with other stuff and it didn’t feel like
I was missing anything.”
Martinez says that touring as one
of alt-rock’s most famous couples
was a double-edged sword. “I think
it’s the nicest thing in the world to
have your best friend with you at the
height of your career. But then there
are moments when, because we
do know each other so well, we will
sometimes forget our boundaries on
tour and have a regular married-
couple kind of spat, which is really
unpleasant for everyone to watch,”
she chuckles. “But the rest of the
band are kind of used to it by now.”
The newly invigorated Boss Hog
are hoping to bring their new tunes
Down Under. “I think we’ve only
been there once. But I’ve been there
like fi ve times with the Blues Explo-
sion. I love Australia, I can’t wait to
get back – you guys have the best
food on the planet.” MATT COYTE

After a long hiatus Cristina
Martinez and her Hogs are back.

FROM TOP: GUY FURROW; COURTESY

“Anything we
do is going to
sound like us,”
says Debbie
Harry.

Blondie:
Harry and
Stein, centre
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