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2017 Zeiss PhotograPhy award
1&2. Photographs by Kevin Faingnaert
(Belgium), winner of the 2017 Zeiss
Photography Award. Copyright 2017.
- Photo by Christopher Roche (UK).
Commended in the 2017 Zeiss Photography
Award. Copyright 2017. 4. Photo by Nicky
Newman (South Africa). Commended
in the 2017 Zeiss Photography Award.
Copyright 2017. 5. Photo by Frederik Buyckx
(Belgium). Commended in the 2017 Zeiss
Photography Award. Copyright 2017. 6&7.
Photographs by Fabian Muir (Australia).
Commended in the 2017 Zeiss Photography
Award. Copyright 2017. 8. Photo by Sonja
Hamad (Germany). Commended in the
2017 Zeiss Photography Award. Copyright
- Photo by Ben Bond Obiri Asamoah
(Ghana). Commended in the 2017 Zeiss
Photography Award. Copyright 2017. 10.
Nicholas White (UK). Commended in the
2017 Zeiss Photography Award. Copyright
- Photo by Ben Bond Obiri Asamoah
- Photo by Anna Filipova (Bulgaria/
UK). Commended in the 2017 Zeiss
Photography Award. Copyright 2017.
- Photo by Anna Filipova (Bulgaria/
The World PhoTograPhy Organisation
and Zeiss have announced the winners of the
2017 Zeiss Photography Award. The grand prize
was won by Belgian photographer Kevin Faingn-
aert for Føroyar, a series about life on remote and
sparsely populated villages on the Faroe Islands.
Now in its second year, the theme of the
2017 Zeiss Photography Award was ‘Meaningful
Places’ which challenged professional photogra-
phers to look past the ordinary and every day
with images which captured extraordinary aspects
of the world.
The winning portfolio was selected from more
than 31,000 images submitted by 4677 photogra-
phers from 132 countries.
Kevin Faingnaert’s prize comprises 12,000 Eu-
ros worth of Zeiss lenses and 3000 Euros in travel
expenses to complete a photography project.
The judges also recognised the work of nine other
photographers, including Australia Fabian Muir.
Kevin Faingnaert is a social documentary pho-
tographer who lives and works in Ghent, Belgium.
“In February 2016 I immersed myself within
the Faroese community, I couch-surfed and hitch-
hiked my way across the islands, finding doors
opening to me everywhere I went. There, across
swathes of snow-veiled landscapes and bordered
by dramatic coastline, villages are slowly dropping
into decline as more and more of their inhabit-
ants are emigrating from the islands in pursuit of
greater opportunities. In these clear and pristine
landscapes, where villages with populations as
low as ten huddle together on the edge of cliffs,
I tried to reveal a community hanging on firmly to
their roots and traditions, while underlining that
one day these villages must inevitably disappear.”
CamMayJune17_006-016 News.indd 10 13/04/2017 12:17 AM