90 | July⢠2018
THE ART DETECTIVE
want their prospective art purchases
veriied.
âWe can test with ultraviolet flu-
orescence chemical analysis and
ultra-high resolution digital imagingâ
he explains. âWeâre able to take such
an extremely small sample using very
fine eye surgery scalpels that you
shouldnât be able to see where weâve
been.â
Beltracchi tried to stay ahead by
keeping himself informed about
scientific advances and submitting
samples of the paints he was using
for chemical analysis. âIf a test re-
port highlighted any materials that
could have only been available after
the work was supposed to have been
true.ItalsohelpedthatFlechtheimâs
lifehadbeencutshortwhenhehad
ledtheNazisin1933onlytocatch
hislegonanailanddieofbloodpoi-
soning upon reaching London.
What the gang didnât know how-
ever was that as their operation be-
came ever more sophisticated so
toodidEastaughâsabilitytocatch
them.Hisknowledgeofhistoricalart
techniques was now second to none
bolsteredbyscientificadvances
andhehadset-uphisownbusiness
ArtAnalysis&Research.Eastaughâs
laboratoriesareastechnologically
equipped as the National Gallery
in London and he has an impres-
sive roster of worldwide clients who
PHOTO: GERAINT LEWIS/ALAMY STOCK PHOTO
AwomanintheMoritzburgArtMuseuminGermanylooksata
forgery by Wolfgang Beltracchi which was created in the style of
artist Heinrich Campendonk