Reflections of an American Harpsichordist Unpublished Memoirs, Essays, and Lectures of Ralph Kirkpatrick

index ❧ 195
Falla, Manuel de, harpsichord con-
certo, 1, 21
Farrenc, Aristide, Trésor des Pianistes,
156
Festival Strings Lucerne, 67
Fischer-Dieskau, Klaus, 69
Fisher, Cyril, 37, 39
Fisher, Peta, 37, 39
Fitzwilliam Virginal Book, 20
Florence, Kirkpatrick in, 2, 34–35, 49
Forkel, Johann Nikolaus, 160
Fournier, Pierre, 37
France, early music revival in, 160–61,
162
Franco, Francisco, 29
Frankfurt, Kirkpatrick in, 24
Frederick the Great, King of Prussia,
161
French, Margaret, 102, 104
French, Robert, 102, 104
Freud, Sigmund, 160
Friedrich-Ebert-Halle (Hamburg, Ger-
many), 67
Fromm Foundation, 95
Fuller, Albert, 2
Galuppi, Baldasarre, 34
Georgetown, Colorado, Kirkpatrick in,
78
Germany, early music revival in, 161,
162
Germany, Kirkpatrick in, 2, 12–13,
22–26, 45, 66–67, 72–73. See also spe-
cific cities
Gerstenberg, Walter, 131
Gewandhaus Orchestra, 2, 24, 25
Gibbons, Orlando, “Earl of Salisbury
Pavan,” 83
Gieseking, Walter, 123
Goldberg, Szymon, 12
Goncourt brothers, 161
Goodenough, Erwin, 103
Gottschalk, Louis Moreau, 103
Gould, Glenn, 52
Governor’s Palace (Williamsburg, Vir-
ginia), 2, 17–18
Graham, Martha, 5, 19–20, 75, 78
Granbery, Carl, 32
Granbery, Diana, 32
Grosser Musikvereinssaal (Vienna, Aus-
tria), 56
Guggenheim Fellowship, 2, 13–16
Hamburg, Kirkpatrick in, 24, 67, 72–73
hand care for performers, 52
Handel, George Frideric: concerti
grossi, 81, 157; cult of, 160; key-
board writing, 122; violin and key-
board sonatas, 82
harpsichords: 4-foot, 61, 86, 125, 126,
134; 8-foot, 61, 85, 86, 125, 126, 127,
132, 133; 16-foot, 85–86, 125, 126,
127; Bach and, 121–29; bad, 17, 89,
90; Boston school, 61–62, 90–91,
133; builders, and building, 5–6,
83–92; Challis, 5, 72, 97; Dolmetsch-
Chickering, 17, 83, 84, 85–87; five-
octave, 133–34, 141; Gaveau, 84;
German school, 124–25; Gräbner,
125; Haas, 125, 126–27; hand-stops,
85; harpsichord placement on con-
cert hall stages, 53–54; Kirkman,
84; kits, 89–90; Maendler-Schramm,
125; Neupert, 34, 67–68, 125; Pleyel,
84, 85–86, 127; Queen of Spain’s
collection, 131–32; recording, 65;
registrations, 61–62, 85, 100–101,
121, 125, 127, 132–33, 134, 135, 137;
repair of, 87; of Scarlatti, 130–41;
Silbermann, 125; transition to piano
from, 114–15; transport and ship-
ping cases, 87–89; tuning, 64, 68, 71,
72; use for Mozart sonatas, 110–11;
visual decoration, 89
Harrison, Lou, 1
Harvard University, 1–2, 14, 100, 108–9;
Kirkpatrick-Schneider concerts, 75,
76, 102; Musical Club, 83
Hawkins, Erick, 11, 75
Hawkins, Sir John, 160
Haydn, Franz Joseph: symphonies, 81;
trios, 81
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