Reflections of an American Harpsichordist Unpublished Memoirs, Essays, and Lectures of Ralph Kirkpatrick

198 ❧ index
Ottobeuren Abbey (Germany), 55
Palladio, Andrea, 55
Paris, Kirkpatrick in, 2, 42–43, 67–72,
84–85, 109
Paris Exposition of 1889, 160
Pearlman, Martin, 2
Pecci-Blunt, Mimi, 12
perfectionism, ideal of, 50–51
performance, Kirkpatrick on, 49–62,
142–50, 163–66
Persichetti, Vincent, 1
Perugia Cathedral (Italy), 56
Pessl, Yella, 12
Philharmonic Hall (New York), 3
Philharmonie (Berlin, Germany), 56
piano, early: BBC broadcast, 113–17;
Queen of Spain’s collection, 132
Picasso, Pablo, 145
Pirro, André, 161
Piston, Walter, Sonatina for Violin and
Harpsichord, 1, 79, 82
Polydor Records, 67–72
Porter, Quincy, 1
Posa, Marquis von, 24
Positano, Kirkpatrick in, 29–30
Poulenc, Francis, 4, 12
Powell, Mel, 1
Prades Festival, 82
pre-Raphaelites, 161
primitivism, cult of, 160
Princeton University Press, 32
progress, notion of, 159
Queneau, Raymond, 144
Rameau, Jean-Philippe, 1, 7, 15, 156
Ramin, Günther, 2, 25, 109
reception as performer, 59–60
recording, Kirkpatrick on, 63–74
Reger, Max, 26
Respighi, Ottorino, 122
Richter, Hans, 69
Ritter, Hans, 69
Ritter, John, 12
Roberts, Isabel, 26
Roberts, Laurence, 26
Rochow, Bernhard, 23
Rome, Kirkpatrick in, 26, 30–31, 35
Rosbaud, Hans, 98
Roseingrave, Thomas, 131
Rosen, Charles, 95, 96–98
Rothschild, Alix de, 42–43
Rubinstein, Anton, 160
Rück brothers, 12
Russell, Bertrand, 128
Russell, Raymond, The Harpsichord and
Clavichord, 101, 132
Rust, Wilhelm, 101
Sachs, Paul, 41
Salle Gaveau (Paris), 42
Salzburg, Kirkpatrick in, 2, 11–12, 109
San Francisco, Kirkpatrick in, 77–78
Scarlatti, Domenico: editions of,
130–31, 137; elements of style, 149;
harpsichord type composed for,
85; Kirkpatrick’s biography of, 3,
5, 30–33, 44, 46, 81, 133, 135–36;
Kirkpatrick’s edition of sonatas, 3,
33, 79, 154; Kirkpatrick’s edition
of complete keyboard works, 44,
45–46, 154; Kirkpatrick’s keyboard
sonata catalogue, 3, 32; Kirkpatrick’s
recordings of, 62, 66, 74, 131, 132;
Kirkpatrick’s research on, 2–3, 5,
15, 26–33, 79, 131–32; performance
of works on piano, 139–40; “Salve
Regina,” 81; search for harpsichord
of, 130–41; sonatas of, 33, 57, 74,
131, 132, 133, 136, 157; varying
reception of, 34; works transcribed
for orchestra, 136
Schiller, Else, 72–73
Schiller, Friedrich: Don Carlos, 24;
Kabale und Liebe, 13
Schirmer, G., Inc., 3, 6, 33, 99
Schlumberger, Annette Gruner, 6
Schnabel, Artur, 3, 79, 103, 116
Schneider, Alexander, 5, 61, 64–65,
75–82, 102, 103
Schobert, Johann, 114
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