74 marieclaire.com.au
PHOTOGRAPHY BY SIERRA MALEVICH COURTESY OF THE FESTIVAL OF REALLY GOOD SEX.
It’s soon clear that Isla View’s insis-
tence that we “make it a performance!”
penetrates every part of the festival.
These people like to show off. From the
audible “cleansing” breaths and warm-
up downward dogs people do in each
class, to people in the
foot-worship seminar emit-
ting loud guttural moans at
the slightest toe-touch, to
what can only be described
as a flamboyant display of
orgasm by a woman demon-
strating a pulsing butt plug
in the Electric Sex session,
this is a show.
It is a considerable
relief, then, when I realise
my afternoon Saturday session is a dis-
cussion – a Q&A Skype seminar about
polyamory, or “Ethical Sluthood”, by
writer and sex educator Janet Hardy.
I’m genuinely curious about the politics
and pitfalls of polyamory, as I find it
difficult enough handling jealousy in
monogamous relationships as it is. I’m
looking forward to a bit of good,
old-fashioned, clothed sitting down. No
getting-to-know-you games, no bond-
age, no chance that the old guy wander-
ing around naked except for an open
bathrobe is going to offer me a massage.
I’m listening, fascinated, to a girl
explaining how polyamory freed her
from two consecutive co-dependent,
violent relationships, when someone
ruins the mood. Something bumps me
on the back of the head. With increasing
dread, I notice panting and jiggling be-
hind me. Clearly there’s too much
talking going on in this session for one
couple, who can’t last an hour without
mashing their soft parts into each other.
It’s the most uncomfortable moment of
the entire festival. When I’m bumped on
the head a second time, I shift awk-
wardly forward, the only comic relief
coming from the fact that, due to this
being a Skype lecture, the couple’s
actions are being projected in the corner
of the screen at the front of the room.
I feel like a prim little girl, being
shocked by a couple having sex during a
lecture, and it takes me a while to figure
out why. Why was I fine being centime-
tres from fellatio and having my boobs
strapped, but not with unethical slut-
hood in Ethical Sluthood?
Then I realise: it’s about consent. I
didn’t consent to being nudged by peo-
ple fucking in a lecture. Nudity and sex
are expected and encouraged in almost
every other workshop at FORGS, but
this one wasn’t meant to have accidental
bonk-jostling. It’s rude.
At FORGS, open
discussion about consent is
a part of every workshop,
game and exercise – some-
thing that may surprise
people whose only previous
exposure to kink is the very
questionable consent fea-
tured in 50 Shades of Grey.
The emphasis on pre-nego-
tiation, communication and
even post-sexual-activity
debriefing are as common as the exhibi-
tionistic moans, so being a non-
consenting, accidental participant in a
lecture bonk was not cool.
Once I’ve recovered from being
semi-sexed on, I spend a few moments
buried in my phone for research purpos-
es. I wasn’t aware just how expensive it
could be to have a vigorous kink life. I
check a number of online suppliers, and
bondage rope from a specialist store
costs roughly eight
times as much as a
very similar item at
Bunnings. One body
sliding workshop at
FORGS – a kind of
lubed-up, full-body
massage unwisely
undertaken without
Scotchgard or a tar-
paulin – is spon-
sored by a brand of
massage gel priced
at $134.99 a litre. At
the time of writing,
Coles has a special
on canola oil – four
litres for $9.
Later, in Tantra
For The Rest Of Us,
I learn about the green equals go,
orange equals maybe, red equals stop
safe-word system, and I find out how
comical a room full of people being
massaged and moaning “greeeeen” can
be. I learn that in a room of strangers in
loose clothing, getting my buttocks
massaged is green, breast-touching is
orange, and that I can and do give a
man an erection just by tickling the
palms of his hands a little. Mind you,
he doesn’t really look like the difficult-
to-give-a-stiffy type.
In Fantasy Role-Play I discover
that my acting skills are top notch, and
also that some people have fantasies
about trying to pass another person on a
rickety rope bridge suspended over
a ravine. The workshop facilitator tells a
story of how he brought one of his fanta-
sies to life by throwing a party for
friends dressed in turn-of-the-century
finery, bidding in an auction for a chance
to fist a human tethered to a frame.
Romance may be dead, but the How To
Host A Fisting Party industry lives on.
In The Art Of Fellatio, I learn that if
you wisecrack about nutrition to a girl
gagging on her boyfriend’s penis, she
can laugh at your joke using only her
eyes. Happily, I also learn that my seal
quality and suction level can pop the
pointy end off a carrot.
I learn that I definitely do not wish
to attend a session called The Conceptu-
al Orgy, as its description includes the
warning that “Those interested in par-
ticipating in this workshop should be
prepared for nudity and explicit body
contact”. The orgy
seems less and less
conceptual the more
I hear about it.
I’ve had enough.
I’m keen to try out
what I’ve learnt with
someone I know, but
I’m sick of touching
strangers.
Speaking to ex-
perts and participat-
ing in workshops
has really made me
understand that
regardless of what
kind of sex practices
are prevalent in so-
ciety, the more we
talk about them and
unpack them, the more accessible and
enjoyable they’ll be, and the safer we’ll
feel. It makes me more ready to say yes
to things I haven’t tried, and comfort-
able saying no to things I don’t want.
After a weekend of nothing but sex,
massages and carrots, though, all I’m
ready for is a glass of wine in the bath.
But I might just pop into Bunnings
on the way home.
Mistress Isla View
likes to “make it a
performance”.
“In a room
full of
strangers,
I give a man
an erection
just by
tickling his
hands”
SEX