to select the combos for all of them
at the same time so you don’t end
up with repeated fabrics on one kite.
11
Join a 4^1 ⁄ 2 x 8in background
rectangle to the bottom of
each kite block and press the seams
downwards. (You will have two
rectangles this size left over – they
are not used in this project.) On
each block, make a light mark in
the centre of the bottom edge.
12
Remove the backing paper from
the kite string shapes and centre
them, right side up, on the lower
rectangles. The top of the string shapes
should almost meet the lower point of
the kites and the bottom should be
level with the edge of the fabric. See
Diagram 2. Fuse them in place. Repeat
Step 7 to stitch the strings in place.
13
Peel the backing paper from
the bow shapes and position
them at the base of the kite shapes,
covering the top of the kite string.
Fuse them in place and repeat Step 7
to stitch them. You should now have
a total of 40 Kite blocks measuring
14 x 8in, raw edge to raw edge.
Assembly
14
Arrange the Kite blocks in eight
columns of fi ve blocks each.
Add a 7^1 ⁄ 4 x 8in background fi ller block
in each column: at the top of the fi rst,
third, fi fth and seventh columns and
at the bottom of the second, fourth,
sixth and eighth columns. Move the
blocks around within the layout to
achieve a pleasing balance of colours.
15
When you’re happy with the
arrangement, join the Kite and
fi ller blocks in each column together.
Then sew the columns together to
complete the quilt top. Press all the
seams open.
Finishing
16
Cut the backing fabric in two
equal lengths and remove the
selvedges. Join the pieces side by side
with a^1 ⁄ 2 in seam and press it open.
17
The backing, batting and quilt
top are ready to take to a long-
arm quilter as they are. If you’re
doing the quilting yourself, smooth
out the backing fabric on the fl oor,
right side down, and secure it with
masking tape. Lay the batting on
top, ensuring it is free of wrinkles.
SAMANTHA’S DESIGN
TIP As you’re sewing the Kite
blocks together, maintain a random
placement of fabrics and colours.
The beauty of this quilt is in its
haphazard scrappiness.
SAMANTHA’S
TECHNIQUE TIP I used
fusible raw-edge appliqué for
this quilt, but it lends itself to
other appliqué techniques, too.
If you choose to use needleturn
appliqué, be sure to add a seam
allowance around the templates
for turning under.
Diagram 2
Quilt Layout Diagram
62 Homespun
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